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Metal Print : Colla di Parma, print made by Francesco Bartolozzi, c. 1775 (etching)

Colla di Parma, print made by Francesco Bartolozzi, c. 1775 (etching)



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Colla di Parma, print made by Francesco Bartolozzi, c. 1775 (etching)

XJF473763 Colla di Parma, print made by Francesco Bartolozzi, c.1775 (etching) by Loutherbourg, Philippe de (1740-1812) (after); Private Collection; (add.info.: Colla di Parma (which translates as glue from Parma ), is a reference to the composer Giuseppe Colla who, born in Parma c.1730, came to England in about 1770.); French, out of copyright

Media ID 12909951

© www.bridgemanart.com

Bottom Buttocks Francesco Bartolozzi Glue Posterior


16"x24" (61x41cm) Metal Print

Bring the timeless beauty of art into your home with Media Storehouse Metal Prints. Our premium prints feature this exquisite etching of Colla di Parma by Francesco Bartolozzi, created around 1775. The intricate details and vibrant colors of this masterpiece, originally after a work by Philippe de Loutherbourg, come alive on our high-quality metal prints. Each print is meticulously crafted using advanced printing techniques to ensure a stunning, long-lasting display. Elevate your decor and add a touch of history and elegance to any room with this fine art masterpiece from Bridgeman Art Library.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Philippe de (after) Loutherbourg

> Fine Art Finder > Cartoons, Caricatures & Humour


EDITORS COMMENTS
The captivating print titled "Colla di Parma" by Francesco Bartolozzi, created around 1775, is a whimsical and humorous depiction of the Georgian era. The etching showcases a clever play on words, as "Colla di Parma" translates to "glue from Parma" referencing the composer Giuseppe Colla who migrated to England in the 18th century. The artwork portrays a comically exaggerated false posterior or fake bottom that can be stuck onto one's own buttocks. This imaginative invention adds an element of surprise and amusement to the piece. Bartolozzi's attention to detail is evident in his skillful etching technique, capturing every contour and texture with precision. The print not only serves as a source of entertainment but also reflects the lightheartedness and wit prevalent during this period. It offers a glimpse into the playful nature of Georgian society, where such eccentricities were embraced. This particular print is part of a private collection and has been preserved over time, allowing us to appreciate its historical significance today. Its inclusion in various art collections speaks to its enduring appeal and ability to captivate viewers across generations. Overall, "Colla di Parma" stands as an intriguing example of artistic creativity combined with social commentary, reminding us that humor transcends time and cultural boundaries.

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