Metal Print : Our only chance of life was to propel our craft towards the wreck, 1928 (colour litho)

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Our only chance of life was to propel our craft towards the wreck, 1928 (colour litho)

2920330 Our only chance of life was to propel our craft towards the wreck, 1928 (colour litho) by Ault, Norman (1880-1950); Private Collection; (add.info.: Caravan Tales published by Wells Gardner Darton & Co Ltd 1928
Norman Ault (1880-1950)); English, out of copyright

Media ID 25165516

© Bridgeman Images

Adrift Eastern Rescue Tales Waves Wilhelm Hauff Wreckage

16"x24" (61x41cm) Metal Print

Experience the captivating history of maritime survival with our Media Storehouse Metal Print featuring the iconic 1928 lithograph "Our only chance of life was to propel our craft towards the wreck" by Norman Ault. This stunning color lithograph, sourced from Bridgeman Images through Fine Art Finder, transports you back in time with its intricate details and vivid hues. Add a touch of history and nautical charm to your space with this unique and beautifully crafted metal print. Perfect for marine enthusiasts, art collectors, or anyone who appreciates the beauty and danger of the sea.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Arts > Realistic drawings > Still life artwork > Fine art

> Popular Themes > Caravans

EDITORS COMMENTS
. In this photo print, titled "Our only chance of life was to propel our craft towards the wreck" we are transported back to 1928 and immersed in a scene filled with suspense and desperation. The artwork, created by Norman Ault (1880-1950), showcases a color lithograph that beautifully captures the essence of an adventurous tale. The image depicts a group of individuals adrift at sea, their small craft battling against towering waves. Clad in intricate costumes from another era, they are determined to reach a distant wreckage as their only hope for survival. Each character's face is etched with determination and fear, reflecting the high stakes involved. This artwork serves as an illustration for Caravan Tales published by Wells Gardner Darton & Co Ltd in 1928. It transports us into a world where danger lurks around every corner and where courage becomes paramount for survival. Ault's attention to detail brings forth not just the physical elements but also the emotional intensity of this harrowing situation. The vibrant colors used in this litho add depth and dimension to each crashing wave, evoking a sense of urgency within viewers. As we gaze upon this mesmerizing print, we find ourselves captivated by its narrative power—a testament to human resilience when faced with insurmountable odds. "Our Only Chance of Life" reminds us that sometimes it is through adversity that our true strength emerges.

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