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Metal Print : Satirical Print, made by Nathaniel Parr, published by Edward Ryland, 1739 (engraving)
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Satirical Print, made by Nathaniel Parr, published by Edward Ryland, 1739 (engraving)
XJF867970 Satirical Print, made by Nathaniel Parr, published by Edward Ryland, 1739 (engraving) by English School, (19th century); Private Collection; English, out of copyright
Media ID 12940940
© www.bridgemanart.com
Austrian Succession Devil Earl Orford Expansionist Holy Roman Empire Orford Parliament Peace Portugal Pretender Prime Minister Robert Walpole Sweden Whig Austria Austrian Expansionism Justice
16"x20" (51x41cm) Metal Print
Introducing the Media Storehouse Metal Prints, featuring this captivating 18th-century satirical print by Nathaniel Parr, published by Edward Ryland in 1739. This intriguing engraving, now out of copyright, showcases the wit and humor of the English School during this era. Our high-quality Metal Prints bring art to life with vivid colors and exceptional detail, making this historic piece a stunning addition to any home or office decor. Experience the rich history and cultural significance of this satirical print in a contemporary and elegant way with Media Storehouse Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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> Europe
> Russia
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> Europe
> Spain
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> Europe
> United Kingdom
> England
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EDITORS COMMENTS
This satirical print, created by Nathaniel Parr and published by Edward Ryland in 1739, offers a fascinating glimpse into the political landscape of its time. The engraving showcases various European statesmen and symbols, capturing the complex web of alliances and power struggles during the Austrian Succession. In this intricate artwork, we see Cardinal André Hercule de Fleury, a prominent figure in French politics at the time. Surrounding him are representations of Holland, Spain, Great Britain, Portugal, Sweden, Russia, and the Holy Roman Empire – all engaged in negotiations for trade agreements and justice. The central focus is on a lion representing England with devilish horns protruding from its head. This clever caricature suggests British expansionism or perhaps even an underlying critique of their foreign policy ambitions. Amongst these political figures is Robert Walpole (Earl Orford), who served as Prime Minister of Great Britain during this period. As a leading Whig politician known for his peace-oriented policies and efforts to maintain stability within Europe through diplomacy rather than war. This piece serves as both a historical document and an artistic expression of satire. It reminds us that political cartoons have long been used to convey powerful messages about government actions and societal issues. Through Parr's skilled engraving techniques combined with sharp wit and symbolism, this print invites viewers to reflect on the complexities of international relations during one pivotal moment in history.
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