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Metal Print : Jugement dernier (Last judgment) Fresque de Cote droit, 1291

Jugement dernier (Last judgment) Fresque de Cote droit, 1291



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Jugement dernier (Last judgment) Fresque de Cote droit, 1291

5974597 Jugement dernier (Last judgment) Fresque de Cote droit, 1291 by Cavallini, Pietro (c.1250-c.1330); Santa Cecilia in Trastevere, Rome, Italy; Luisa Ricciarini; Italian, out of copyright

Media ID 23713474

© Luisa Ricciarini / Bridgeman Images

Last Judgement Roma 13 13th Xiii Xiiith Century


16"x24" (61x41cm) Metal Print

Bring the timeless beauty of medieval art into your modern home with our Media Storehouse Metal Prints. Featuring the intricately detailed and evocative "Jugement dernier (Last Judgment)" Fresco from Santa Cecilia in Trastevere, Rome, Italy, created by the renowned Italian artist Pietro Cavallini around 1291. This captivating work of art, now out of copyright, comes to life in vivid colors and stunning clarity on our high-quality metal prints. Each print is meticulously crafted to bring out the rich textures and vibrant hues, ensuring a breathtaking display that is sure to be a conversation starter in any room. Experience the perfect blend of history and artistry with our Media Storehouse Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Medieval Art

> Europe > Italy > Lazio > Rome

> Europe > Italy > Posters

> Europe > Italy > Rome


EDITORS COMMENTS
This print captures the awe-inspiring "Jugement dernier (Last judgment) Fresque de Cote droit, 1291" by Pietro Cavallini. Located in Santa Cecilia in Trastevere, Rome, Italy, this medieval masterpiece takes us back to the 13th century with its intricate details and profound symbolism. The fresco depicts the final judgement, a theme that has fascinated artists throughout history. Cavallini's rendition showcases his exceptional talent as he skillfully portrays the divine scene of souls being judged for their earthly deeds. The composition is filled with vibrant colors and dynamic figures that seem to come alive on the wall. As we gaze upon this remarkable artwork through Luisa Ricciarini's lens, we are transported to a different time and place. The solemn atmosphere of Santa Cecilia enhances our appreciation for Cavallini's craftsmanship and his ability to convey such complex emotions through paint. This photograph not only preserves an important piece of Italian art history but also invites us to reflect on our own mortality and actions. It serves as a visual reminder of the eternal struggle between good and evil, urging us to contemplate our choices in life. Luisa Ricciarini's expert capture allows us to admire every brushstroke and detail from this iconic fresco. Through her lens, we can appreciate both the grandeur of Cavallini's work and Ricciarini's own artistic vision in presenting it so beautifully.

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