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Metal Print : The Count Della Catena, Count Strickland, 4 May 1893, Vanity Fair cartoon (colour litho)
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The Count Della Catena, Count Strickland, 4 May 1893, Vanity Fair cartoon (colour litho)
611861 The Count Della Catena, Count Strickland, 4 May 1893, Vanity Fair cartoon (colour litho) by English School, (19th century); Private Collection; (add.info.: The Count Della Catena, Count Strickland, 4 May 1893, Vanity Fair cartoon); Look and Learn / Peter Jackson Collection
Media ID 23544904
© Look and Learn / Peter Jackson Collection / Bridgeman Images
Corsica Jockey Racing Vanity Fair
16"x24" (61x41cm) Metal Print
Bring a touch of historical charm to your home or office with our Media Storehouse Metal Prints featuring the iconic Vanity Fair cartoon of Count Della Catena, Count Strickland, published on 4 May 1893. This beautifully restored color lithograph, sourced from Bridgeman Images through Fine Art Finder, showcases the wit and elegance of the English School from the 19th century. Our high-quality metal prints are known for their vibrant colors, long-lasting durability, and sleek modern design. Each print is individually crafted using a special process that infuses the image into a sheet of aluminum, resulting in a stunning piece of art that is sure to impress. Add this unique and captivating work of art to your collection today and enjoy the timeless beauty of this classic Vanity Fair cartoon.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
The Count Della Catena and Count Strickland - A Satirical Snapshot of European Racing Culture, 1893
EDITORS COMMENTS
. This vibrant lithograph from Vanity Fair captures the essence of European racing culture in the late 19th century. Created by an anonymous English artist, this satirical cartoon features two prominent figures - The Count Della Catena and Count Strickland. The scene takes place on May 4th, 1893, as both counts engage in a fierce horse race. With their exaggerated caricatures and comical expressions, the artist presents a scathing satire on the pompousness and competitiveness that often surrounded such events. The central figure is The Count Della Catena, portrayed as a jockey atop his magnificent steed. His flamboyant attire reflects his Corsican heritage while also mocking the ostentatious fashion trends of the time. Beside him rides Count Strickland, representing France with his tricolor sash proudly displayed. Through this artwork's clever composition and vivid colors, we are transported to an era when horse racing was not only about sport but also about social status and national pride. It offers us a glimpse into European society's fascination with equestrian pursuits during this period. As we admire this historical print from Peter Jackson Collection's private archives, let us appreciate how art can capture moments in time while simultaneously critiquing societal norms. This piece serves as a reminder that even over a century later, human nature remains susceptible to vanity and competition
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