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Metal Print : The Knife Grinder or Principle of Glittering, 1912-3 (oil on canvas)
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The Knife Grinder or Principle of Glittering, 1912-3 (oil on canvas)
3247967 The Knife Grinder or Principle of Glittering, 1912-3 (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); 79.5x79.5 cm; Yale University Art Gallery, New Haven, CT, USA; (add.info.: Tochilaschik Printsip Melakaniia
); Russian, out of copyright
Media ID 18259557
© Yale University Art Gallery, New Haven, CT, USA / Bridgeman Images
Abstract Avant Garde Cubism Cubist Energy Futurism Futurist Geometrical Geometry Glittering Grinding Grindstone Knife Grinder Knifegrinder Machine Machinery Mechanical Suprematism Suprematist Technological Wheel
20"x24" (61x51cm) Metal Print
Bring the captivating artwork "The Knife Grinder or Principle of Glittering" by Kazimir Malevich into your home with our high-quality Metal Prints from Media Storehouse. This iconic piece, featuring oil on canvas from Yale University Art Gallery, showcases Malevich's unique style and innovative use of color and form. Our Metal Prints are known for their vibrant colors, rich textures, and durable finish, ensuring your artwork remains a stunning centerpiece for years to come. Experience the brilliance of this Fine Art Finder masterpiece in a new and modern way with Media Storehouse.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 60.9cm (20" x 24")
Estimated Product Size is 51.4cm x 61.5cm (20.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Knife Grinder or Principle of Glittering
EDITORS COMMENTS
is a captivating oil on canvas painting by Kazimir Malevich, created in 1912-3. This mesmerizing artwork, measuring 79.5x79.5 cm, can be found at the Yale University Art Gallery in New Haven, CT, USA. Malevich's masterpiece showcases the essence of movement and geometrical precision through its cubist composition. The image portrays a knife grinder diligently working with his grindstone, surrounded by machinery and industrial elements that exude energy and avant-garde aesthetics. The artist's use of suprematism adds an abstract touch to the painting, as he explores the concept of technology and its impact on society during this era. The glittering edge of the knife grinder's tools symbolizes both the mechanical nature of industry and the futuristic ideals embraced by Russian futurism. Through this artwork, Malevich invites viewers to contemplate the interplay between man and machine within a rapidly evolving technological landscape. The painting captures not only the physical motion involved in grinding but also represents a metaphorical journey towards progress. "The Knife Grinder or Principle of Glittering" stands as a testament to Malevich's innovative approach to art-making and his contribution to Russian avant-garde movements such as cubism and suprematism. It serves as a reminder that even amidst industrialization, there is beauty in both human labor and technological advancement.
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