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Metal Print : La vie est partout. (Depuis la fenetre d un wagon avec des barreaux de fer, un enfant entoure de visages souriants jette des miettes a des oiseaux). Peinture de Nikolai Alexandrovich Yaroshenko (Yarochenko) (1846-1898), huile sur toile, 1888

La vie est partout. (Depuis la fenetre d un wagon avec des barreaux de fer, un enfant entoure de visages souriants jette des miettes a des oiseaux). Peinture de Nikolai Alexandrovich Yaroshenko (Yarochenko) (1846-1898), huile sur toile, 1888



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La vie est partout. (Depuis la fenetre d un wagon avec des barreaux de fer, un enfant entoure de visages souriants jette des miettes a des oiseaux). Peinture de Nikolai Alexandrovich Yaroshenko (Yarochenko) (1846-1898), huile sur toile, 1888

FIA5382034 La vie est partout. (Depuis la fenetre d un wagon avec des barreaux de fer, un enfant entoure de visages souriants jette des miettes a des oiseaux). Peinture de Nikolai Alexandrovich Yaroshenko (Yarochenko) (1846-1898), huile sur toile, 1888. Art russe, 19e siecle, realisme. State Tretyakov Gallery, Moscou. by Yaroshenko, Nikolai Aleksandrovich (1846-98); State Tretyakov Gallery, Moscow; Photo © Fine Art Images

Media ID 24675506

© Fine Art Images / Bridgeman Images

Freedom Generosity Gulag Hope Injustice Pigeon Public Transport


16"x24" (61x41cm) Metal Print

Bring the timeless beauty of Nikolai Alexandrovich Yaroshenko's (Yarochenko) masterpiece "La vie est partout" into your home with our high-quality Metal Prints from Media Storehouse. This iconic painting, depicting a child joyfully feeding birds from a train window surrounded by smiling faces, comes alive in vibrant colors and stunning detail on a durable metal surface. The sleek, modern design complements any decor while preserving the rich textures and hues of the original artwork. Experience the art of Yaroshenko like never before with our Metal Prints - a perfect addition to your personal art collection.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Katsushika Hokusai

> Fine Art Finder > Artists > Nikolai Aleksandrovich Yaroshenko

> Animals > Birds > Columbiformes > Pigeons > Related Images

> Animals > Birds > Pigeon

> Arts > Artists > Y > Nikolai Aleksandrovich Yaroshenko

> Arts > Fine Art

> Europe > Russia > Moscow

> Europe > Russia > Paintings

> Europe > Russia > Posters

> Europe > Russia > Related Images

> Transportation > Trains


EDITORS COMMENTS
This print titled "La vie est partout" captures a poignant moment in time. Painted by Nikolai Alexandrovich Yaroshenko in 1888, this oil on canvas artwork showcases the artist's mastery of realism and his ability to evoke powerful emotions. The scene depicted is both heartwarming and bittersweet. From the window of a train carriage with iron bars, an innocent child is surrounded by smiling faces as he joyfully scatters breadcrumbs for a flock of birds. The contrast between the confined space and the freedom enjoyed by these creatures creates a sense of longing and hope. Yaroshenko's painting reflects not only the beauty of nature but also touches upon deeper themes such as travel, injustice, and generosity. The presence of barbed wire hints at imprisonment or confinement, perhaps symbolizing societal restrictions or personal struggles faced by individuals during that era. Despite these somber undertones, there is an undeniable aura of optimism emanating from this artwork. The child represents innocence and resilience while the smiling faces surrounding him suggest unity and support within a community. Displayed at the State Tretyakov Gallery in Moscow, this masterpiece stands as a testament to Yaroshenko's skillful brushwork and his ability to capture profound human experiences through art. It serves as a reminder that even amidst adversity, life can be found everywhere if we choose to see it.

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