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Metal Print : St Mary Redcliffe and Redcliffe Wharf from Prince Street Bridge
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St Mary Redcliffe and Redcliffe Wharf from Prince Street Bridge
2831425 St Mary Redcliffe and Redcliffe Wharf from Prince Street Bridge, 1822 or 1824 (pencil on paper) by Mackenzie, Frederick (c.1788-1854); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; English, out of copyright
Media ID 22429738
© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images
Avon Dock Floating Harbour Landmark Prince Street Ecclesiastical
16"x24" (61x41cm) Metal Print
Breathtakingly capturing the historic charm of Bristol, this Media Storehouse Metal Print features the iconic St Mary Redcliffe and Redcliffe Wharf as seen from Prince Street Bridge. This exquisite artwork, created by Frederick Mackenzie in the early 19th century, is now brought to life in vibrant metallic tones. With its rich detail and stunning clarity, this Metal Print is not just a decorative piece, but a window into the past. Experience the timeless beauty of Bristol with this fine art print, expertly reproduced by Media Storehouse.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the magnificent St Mary Redcliffe Church and bustling Redcliffe Wharf, as seen from the iconic Prince Street Bridge. Created by Frederick Mackenzie in either 1822 or 1824, this pencil drawing captures the essence of Bristol's rich history. The image transports us back to a time when the city was thriving with maritime activity. The foreground is adorned with boats of various sizes, gracefully floating on the River Avon. A tugboat stands out among them, symbolizing the importance of transport and trade during that era. In stark contrast to the vibrant harbor scene, St Mary Redcliffe Church stands tall in all its grandeur. Its intricate architecture dominates the skyline, reminding viewers of its significance as both a religious landmark and an architectural marvel. Redcliffe Wharf stretches along the riverbank, reflecting urban life at its core. This bustling dock area served as a hub for commerce and industry during Bristol's heyday. The combination of church spires and industrial structures creates a unique juxtaposition that encapsulates Bristol's diverse character. Mackenzie's meticulous attention to detail brings this historical moment to life on paper. Preserved within Bristol Museum and Art Gallery since William Jerdone Braikenridge bequeathed it in 1908, this artwork continues to captivate audiences today through eBristol Museums' digital archives. As we gaze upon this remarkable piece, we are transported back in time - witnessing not only an exquisite depiction of architecture but also glimpses into
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