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Metal Print : Coming Squall (Nahant Beach with a Summer Shower), 1835 (oil on canvas mounted on cradled panel)
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Coming Squall (Nahant Beach with a Summer Shower), 1835 (oil on canvas mounted on cradled panel)
5862037 Coming Squall (Nahant Beach with a Summer Shower), 1835 (oil on canvas mounted on cradled panel) by Doughty, Thomas (1793-1856); 52.1--71.4 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Thomas Doughty (1793-1856))
Media ID 25464660
© Bridgeman Images
Beach Front Beach Scene Beaches Droplets Marinescape Meteorologists Oil On Cnvas Oil Painting On Wood Oil Paintings Oil Paints Rain Raining Sail Boat Sailboats Sailing Ship Sandy Beach Sea Beach Seashore Showery Wave Waves External View Without Anyone
16"x20" (51x41cm) Metal Print
Experience the captivating allure of Thomas Doughty's "Coming Squall (Nahant Beach with a Summer Shower)" in a whole new way with Media Storehouse Metal Prints. This exquisite 1835 oil on canvas painting, originally housed at The Art Institute of Chicago, comes to life in vibrant colors and stunning detail on a sleek metal surface. The water droplets shimmer, the clouds gather, and the summer storm approaches with breathtaking realism. Our high-quality metal prints are not only visually stunning but also durable and waterproof, making them perfect for any room in your home or office. Bring the beauty of fine art into your space with Media Storehouse Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The print titled "Coming Squall (Nahant Beach with a Summer Shower)" captures the essence of a dramatic moment in nature. Painted by Thomas Doughty in 1835, this oil on canvas mounted on cradled panel artwork is housed at The Art Institute of Chicago. In this stunning piece, Doughty skillfully portrays the power and beauty of an approaching storm. The dark clouds loom ominously overhead, contrasting with the bright light that still illuminates parts of Nahant Beach. A summer shower is imminent as raindrops begin to fall, creating ripples on the calm sea below. Amidst this atmospheric scene, a sailing boat gracefully glides through the waves, navigating its way towards safety before the squall hits. This small vessel serves as a reminder of human vulnerability against nature's forces. Doughty's attention to detail is evident in his depiction of each element: from the texture and movement of the waves to the play between light and shadow across both land and sky. His mastery brings forth an emotional response within viewers as they witness nature's raw power unfold before their eyes. This painting not only showcases Doughty's artistic talent but also highlights his fascination with meteorology and science during that era. It stands as a testament to his ability to capture fleeting moments in time while inviting us to contemplate our place within the vastness of nature.
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