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Metal Print : Skeleton with crown, spear and hourglass seated on a globe above various lethal weapons, pistols, knives, poisons and drugs. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816
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Skeleton with crown, spear and hourglass seated on a globe above various lethal weapons, pistols, knives, poisons and drugs. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816
FLO4690104 Skeleton with crown, spear and hourglass seated on a globe above various lethal weapons, pistols, knives, poisons and drugs. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816. by Rowlandson, Thomas (1756-1827); (add.info.: Skeleton with crown, spear and hourglass seated on a globe above various lethal weapons, pistols, knives, poisons and drugs. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.); © Florilegius
Media ID 22844198
© Florilegius / Bridgeman Images
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16"x24" (61x41cm) Metal Print
Step into the captivating world of the Media Storehouse Metal Prints, featuring this intriguing image from The English Dance of Death. This hand-coloured copperplate drawing and engraving by Thomas Rowlandson, published by Ackermann in London, 1816, presents a hauntingly beautiful skeleton figure. Seated regally atop a globe, the skeleton holds a crown, a spear, and an hourglass. Surrounding him are an array of lethal weapons, including pistols, knives, poisons, and drugs. This evocative piece, sourced from Bridgeman Images through Fine Art Finder, is a mesmerizing addition to any space, inviting reflection on the fleeting nature of life and the allure of mortality.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This handcoloured copperplate print by Thomas Rowlandson, titled "Skeleton with crown, spear and hourglass seated on a globe above various lethal weapons, pistols, knives, poisons and drugs" is a macabre yet thought-provoking allegory of civilization. Created in 1816 as part of "The English Dance of Death" the artwork depicts a skeleton adorned with a crown and armed with deadly weapons. Seated upon a globe symbolizing the world, the skeleton represents death itself. Rowlandson's intricate detailing brings to life an array of lethal instruments such as pistols, knives, poisons, and drugs scattered around the skeleton. This imagery serves as a stark reminder of humanity's destructive capabilities and its susceptibility to mortality. The presence of an hourglass emphasizes the fleeting nature of time and acts as a constant reminder that death awaits us all. The open book beneath the skeleton suggests that knowledge alone cannot save us from our inevitable fate. Through this powerful visual representation, Rowlandson prompts viewers to reflect on their own mortality while questioning society's obsession with power and violence. It serves as both a cautionary tale about the consequences of unchecked ambition and an exploration into human nature’s darker aspects. As we gaze upon this mesmerizing print from 19th-century England, we are reminded that despite our achievements in civilization, death remains an ever-present companion throughout our journey on Earth.
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