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Metal Print : London Corresponding Society, alarm d, or Guilty Conscience
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London Corresponding Society, alarm d, or Guilty Conscience
NCO190103 London Corresponding Society, alarm d, or Guilty Conscience, published by Hannah Humphrey in 1798 (hand-coloured etching and aquatint) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: a comment on the role of the Societys role in the Irish Rebellion of 1798; fear of rebellion in England; ); English, out of copyright
Media ID 23354970
© Bridgeman Images
Cellar Clandestine Conference Deformed Frightened Grotesque Illegal Labourers Political Satire Propaganda Propagandistic Revolutionaries Scared Secret Seditious Shadows Ugly Underground Working Class Dank
16"x20" (51x41cm) Metal Print
Experience the captivating allure of history with our Media Storehouse Metal Prints featuring iconic works from Bridgeman Images. This exquisite collection includes "London Corresponding Society, Alarm d, or Guilty Conscience" by the renowned British satirist, James Gillray. Published in 1798 by Hannah Humphrey, this hand-coloured etching and aquatint masterpiece is a testament to the rich artistic heritage of the Fine Art Finder. Our high-quality Metal Prints bring the intricate details and vibrant colours of this iconic piece to life, making it a stunning addition to any home or office space. Embrace the power of art to transport you through time and ignite your imagination.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This hand-coloured etching and aquatint print, titled "London Corresponding Society, alarm d, or Guilty Conscience" captures a moment of intense political tension during the late 18th century. Created by James Gillray in 1798 and published by Hannah Humphrey, this piece serves as a scathing commentary on the role of the London Corresponding Society (LCS) in relation to the Irish Rebellion of that same year. The image depicts a clandestine meeting held in an eerie cellar setting. The labourers present exude a menacing atmosphere as they gather under shadows, their deformed and grotesque appearances reflecting their working-class status. This satirical caricature aims to instill fear among viewers about potential rebels within society. The LCS was known for its radical ideologies and seditious activities aimed at challenging the government's authority. As fears of rebellion spread throughout England following the Irish uprising, this print highlights both public anxiety and propaganda against revolutionary movements. Gillray's engraving masterfully portrays frightened revolutionaries engaged in an illegal conference. The dank surroundings add to the secretive nature of their gathering while emphasizing their underground operations. Through this propagandistic artwork, Gillray seeks to expose what he perceives as dangerous elements within society threatening stability and order. Today, this historical print provides valuable insight into political satire during that era while shedding light on societal anxieties surrounding rebellion and social unrest. Courtesy of New College Oxford's collection via Bridgeman Images, it continues to
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