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Metal Print : Study for the three daughters of Sir William Montgomery, c. 1773 (oil on canvas)

Study for the three daughters of Sir William Montgomery, c. 1773 (oil on canvas)



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Study for the three daughters of Sir William Montgomery, c. 1773 (oil on canvas)

OJ451962 Study for the three daughters of Sir William Montgomery, c.1773 (oil on canvas) by Reynolds, Joshua (1723-92); Private Collection; (add.info.: the finished work, Three Ladies Adorning a Term of Hymen, 1773 is in the Tate Gallery, London; the Montgomery sisters, Barbara, Elizabeth and Anne were the daughters of an Irish aristocrat, Sir William Montgomery, and known as the Irish Graces; ); eAckermann Johnson; English, out of copyright

Media ID 23184028

© Ackermann Johnson / Bridgeman Images

Conversation Piece Garland Grace Graceful Hymen Sister Sisters Term


16"x24" (61x41cm) Metal Print

Bring the timeless beauty of art into your home with our Media Storehouse Metal Prints. This exquisite piece features "Study for the Three Daughters of Sir William Montgomery, c.1773" by Joshua Reynolds, a masterpiece from the Fine Art Finder collection. Reynolds' oil on canvas painting captures the innocence and charm of the three daughters, their expressions filled with life and character. Our high-quality metal prints offer vibrant colors, stunning clarity, and a sleek, modern look that complements any decor. Relive the elegance of the past with this beautiful work of art in your space.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > John E. Ferneley

> Fine Art Finder > Artists > Joshua Reynolds

> Fine Art Finder > Women 18th Century

> Arts > Art Movements > Landscapes

> Arts > Artists > I > William Ireland

> Arts > Artists > J > Joshua Johnson

> Arts > Artists > R > Joshua Reynolds

> Arts > Artists > R > Roman Roman

> Arts > Contemporary art > Landscapes > Portraits

> Arts > Contemporary art > Portraits > Landscape paintings

> Arts > Landscape paintings > Landscape art

> Arts > Still life artwork > Landscape paintings > Portraits

> Arts > Still life artwork > Oil paintings > Landscape paintings


EDITORS COMMENTS
This print showcases a study for the three daughters of Sir William Montgomery, painted by Joshua Reynolds in 1773. The finished masterpiece, titled "Three Ladies Adorning a Term of Hymen" can be found at the Tate Gallery in London. The Montgomery sisters, Barbara, Elizabeth, and Anne, were renowned as the Irish Graces and hailed from an aristocratic background. In this painting, they exude elegance and grace as they stand amidst a picturesque garden landscape. Their flowing dresses are adorned with flowers, symbolizing their beauty and femininity. Reynolds skillfully captures the essence of sisterhood and companionship through his portrayal of these three women engaged in conversation. They appear to be deep in discussion while surrounded by statuesque Roman garlands. The theme of marriage is also evident in this artwork as it features a term (a pillar-like sculpture) representing Hymen, the Greek god of marriage ceremonies. This inclusion adds depth to the composition and hints at societal expectations placed upon young women during that era. Overall, this study exemplifies Reynolds' talent for capturing both physical likeness and inner character through his brushstrokes. It serves as a testament to the enduring allure of portraiture within Georgian society while immortalizing the beauty and charm of these remarkable Irish sisters known as the Montgomery Graces.

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