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Metal Print : Vanity Fair: Royalty; A Cimiez, Promenade Matinale, Queen Victoria, June 17, 1897 (chromolithograph)
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Vanity Fair: Royalty; A Cimiez, Promenade Matinale, Queen Victoria, June 17, 1897 (chromolithograph)
1766123 Vanity Fair: Royalty; A Cimiez, Promenade Matinale, Queen Victoria, June 17, 1897 (chromolithograph) by Guth, Jean Baptiste (1855-1922); Yale Center for British Art, Paul Mellon Collection, USA.
Please note: The artwork in this photograph is in copyright. It is your responsibility to ensure this additional copyright is cleared prior to use. Please contact Bridgeman Images if you require further assistance; however, please be advised that Bridgeman does not currently hold contact information for the copyright handler of this artwork
Media ID 25496402
© Bridgeman Images
Aged Woman Aging Canopy Elderly Man Empress Of India Forlorn Great Britain And Ireland Melancholia Melancholy Morning Old Age Old Couple Old Men Old Person Old Prson Old Woman Old Women Older Woman Oldwoman Post Chaise Pullman Car Ride The Elders Unhappiness Unhappy Widow Emotions Old Man Queen Victoria
16"x24" (61x41cm) Metal Print
Bring timeless elegance into your home with Media Storehouse Metal Prints. Featuring the iconic Vanity Fair: Royalty image of Queen Victoria, this beautiful chromolithograph by Jean Baptiste Guth captures the regal beauty and grace of the monarch during her visit to Cimiez, Nice, France in 1897. Each Metal Print is meticulously crafted to bring out the rich colors and intricate details of this classic piece from Bridgeman Images. Add a touch of history and sophistication to any room with this stunning, high-quality print. Order yours today from Media Storehouse.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The chromolithograph print titled "Vanity Fair: Royalty; A Cimiez, Promenade Matinale, Queen Victoria, June 17,1897" captures a poignant moment in history. In this image, we see Queen Victoria of Great Britain and Ireland taking a morning stroll during her visit to Cimiez. The queen is portrayed as an elderly widow, draped in mourning attire after the passing of her beloved husband Prince Albert. Queen Victoria's somber expression reflects the weight of her responsibilities as monarch and the personal loss she endured. Despite her regal stature and position of power, there is a sense of sadness that permeates through the portrait. The artist Jean Baptiste Guth skillfully depicts Queen Victoria seated in a carriage with a canopy overhead. The landscape behind her showcases the beauty of nature while also emphasizing her isolation and melancholy. This chromolithograph serves as both a historical record and an intimate glimpse into the emotions experienced by one of Britain's most iconic queens. As viewers gaze upon this artwork from 1897, they are transported back in time to witness not only royalty but also humanity at its most vulnerable state. It reminds us that even those who seem untouchable are subject to sorrow and grief.
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