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Metal Print : Le Debarquement du Chevalier John Bull et de sa famille a Boulogne sur Mer

Le Debarquement du Chevalier John Bull et de sa famille a Boulogne sur Mer



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Le Debarquement du Chevalier John Bull et de sa famille a Boulogne sur Mer

NCO190461 Le Debarquement du Chevalier John Bull et de sa famille a Boulogne sur Mer, or The Landing of Sir John Bull & his Family at Bologne sur Mer, engraved by James Gillray (1756-1815) published by Hannah Humphrey in 1792 (hand-coloured aquatint) by Bunbury, Henry William (1750-1811) (after); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: parody of an incident described by the dramatist Frederick Reynolds (1764-1841) when he was forcibly carried ashore by 40 fishwives at Calais; ); English, out of copyright

Media ID 22931190

© Bridgeman Images

Agitation Boots Breeches Bustle Clogs English Channel Finery Fishwife Forty Haggard Piggy Back Rags Reception Wading Wizened Monks Noble


16"x24" (61x41cm) Metal Print

Bring the timeless beauty of fine art into your home with Media Storehouse Metal Prints. Our premium quality prints are crafted using state-of-the-art technology, which transfers vibrant colors and intricate details from the original artwork onto a sleek, durable metal surface. This stunning piece, "Le Debarquement du Chevalier John Bull et de sa famille a Boulogne sur Mer" by Bridgeman Images from Fine Art Finder, showcases the iconic image of Sir John Bull and his family disembarking at Boulogne sur Mer. Each print is individually inspected and coated with a protective clear coat to ensure long-lasting brilliance. Elevate your space with this exquisite work of art, available now at Media Storehouse.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Henry William (after) Bunbury

> Fine Art Finder > Artists > James Gillray

> Fine Art Finder > Cartoons, Caricatures & Humour

> Animals > Mammals > Muridae > Fortior

> Arts > Artists > B > Henry William Bunbury

> Arts > Artists > B > James Henry Beard

> Arts > Artists > C > Chevalier Chevalier

> Arts > Artists > G > James Gillray

> Arts > Artists > J > William James

> Arts > Pop art > Satire > Satirical artwork

> Popular Themes > Religious Images


EDITORS COMMENTS
This hand-coloured aquatint print, titled "Le Debarquement du Chevalier John Bull et de sa famille a Boulogne sur Mer" captures a satirical moment in history. Engraved by James Gillray and published by Hannah Humphrey in 1792, the image parodies an incident described by playwright Frederick Reynolds when he was carried ashore by 40 fishwives at Calais. In this comical scene, Sir John Bull and his family are depicted arriving on the shores of Bologne sur Mer. The noble Englishman is seen wading through the English Channel with his wife and children while being met by a group of peasants from the coastal town. The exaggerated caricatures highlight their contrasting appearances - Sir John Bull adorned in aristocratic finery with a wig and walking stick, while the locals are shown in rags and clogs. The print humorously portrays the clash between social classes as well as cultural differences between England and France during that time period. It also pokes fun at Reynolds' dramatic account of being greeted so enthusiastically upon arrival. With its intricate details, including facial expressions, clothing styles, and even religious figures like priests and monks observing from afar, this artwork offers both entertainment and commentary on societal norms of the era. A fascinating piece capturing movement, action, satire, and coastal scenery along France's shoreline; it serves as a reminder of historical events viewed through a humorous lens.

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