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Metal Print : The obsequious civility, illustration from Pride and Prejudice by Jane Austen

The obsequious civility, illustration from Pride and Prejudice by Jane Austen



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The obsequious civility, illustration from Pride and Prejudice by Jane Austen

XJF466206 The obsequious civility, illustration from Pride and Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Mr.Collins obsequious attentions towards Mr. Darcy; Jane Austen (1775-1817); ); British, out of copyright

Media ID 12909386

© www.bridgemanart.com

Attentions Bennett Collins Darcy Elizabeth Bennet Jane Austen Pride And Prejudice Vicar Fawning Lovers Regency Riding Gear Sycophantic


16"x20" (51x41cm) Metal Print

Bring a timeless classic to life with our Media Storehouse Metal Prints featuring "The obsequious civility, illustration from Pride and Prejudice by Jane Austen." This exquisite piece, sourced from Bridgeman Art through Fine Art Finder, showcases the engraving from the 1894 edition, capturing the essence of obsequiousness and civility as depicted in Austen's beloved novel. Our high-quality metal prints offer vibrant colors, rich textures, and a contemporary twist to your favorite art pieces. Elevate your home decor with this stunning addition to your collection.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This print, titled "The Obsequious Civility" captures a pivotal moment from Jane Austen's beloved novel Pride and Prejudice. The illustration, created by Hugh Thomson in 1894, depicts the character Mr. Collins showering Mr. Darcy with obsequious attentions. In this scene, we witness the fawning and sycophantic behavior of Mr. Collins towards the aloof and aristocratic Mr. Darcy. With meticulous detail, Thomson brings to life the Georgian era setting through their regency costumes and riding gear. The image beautifully portrays the stark contrast between these two characters – one representing social status and wealth while the other embodies humility as a clergyman or vicar. It is within this context that Elizabeth Bennet enters their lives as an independent-minded woman who challenges societal norms. Thomson's engraving skillfully captures not only the physical appearance but also hints at the underlying tension between these characters, foreshadowing future conflicts that will unfold throughout Austen's masterpiece. As admirers of Jane Austen's work delve into this print, they are transported back in time to experience firsthand how class distinctions shaped relationships during this period. This evocative artwork serves as a reminder of Austen's enduring legacy in exploring themes of love, pride, prejudice, and societal expectations through her vividly drawn characters.

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