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Metal Print : Who is to draw the line, the Magistrate or the Ballet-Master? A question for Theatrical Managers (engraving)

Who is to draw the line, the Magistrate or the Ballet-Master? A question for Theatrical Managers (engraving)



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Who is to draw the line, the Magistrate or the Ballet-Master? A question for Theatrical Managers (engraving)

8643272 Who is to draw the line, the Magistrate or the Ballet-Master? A question for Theatrical Managers (engraving) by English School, (19th century); Private Collection; (add.info.: Who is to draw the line, the Magistrate or the Ballet-Master? A question for Theatrical Managers. Illustration for The Days Doings, 5 November 1870.); © Look and Learn

Media ID 38120386

© © Look and Learn / Bridgeman Images

Line Lines


20"x24" (61x51cm) Metal Print

"Step into the world of 19th-century theatre with our stunning Metal Print from Bridgeman Images' Fine Art Finder. 'Who is to draw the line, the Magistrate or the Ballet-Master? A question for Theatrical Managers (engraving)' by English School is a captivating piece that explores the intersection of art and performance. With its intricate details and rich tones, this metal print is sure to be a showstopper in any room. Perfect for theatre enthusiasts, art lovers, and anyone who appreciates the beauty of fine art."

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 60.9cm (20" x 24")

Estimated Product Size is 51.4cm x 61.5cm (20.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > Hubert Clerget

> Europe > United Kingdom > England > London > Art > Related Images


EDITORS COMMENTS
In this thought-provoking engraving from the 19th century, we are presented with a timeless question: Who is to draw the line, the Magistrate or the Ballet-Master? The image captures a moment of tension between authority figures in the world of theatre, as they grapple with where to set boundaries and limitations. The juxtaposition of the stern-faced Magistrate and the elegant Ballet-Master raises questions about power dynamics and control within artistic spaces. Should regulations be dictated by legal authorities or by those who understand the nuances of performance art? As theatrical managers navigate these complex waters, they must consider not only artistic freedom but also societal norms and expectations. The delicate balance between creativity and responsibility is at stake, as decisions made by these individuals can shape cultural perceptions and influence public discourse. This engraving serves as a reminder that the intersection of art and governance is fraught with challenges. It prompts us to reflect on who holds sway over creative expression and how lines are drawn in an ever-evolving landscape of performance. Ultimately, this image invites us to ponder where authority truly lies in matters of artistic interpretation – a question that continues to resonate in contemporary discussions about censorship, autonomy, and artistic integrity.

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