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Metal Print : Proudhon, "apostle of socialism, enemy of property
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Proudhon, "apostle of socialism, enemy of property
LSE4089701 Proudhon, " apostle of socialism, enemy of property and its patented destructor" - by Daumier, in " Charivari" of 06/01/1849 by Daumier, Honore (1808-79); Private Collection; (add.info.: Proudhon, " apostle of socialism, enemy of property and its patented destructor" - by Daumier, in " Charivari" of 06/01/1849); Photo eLeonard de Selva; French, out of copyright
Media ID 22296854
© Leonard de Selva / Bridgeman Images
16"x24" (61x41cm) Metal Print
Bring a piece of historical revolution to your home or office with Media Storehouse's Metal Print of Proudhon, the renowned French philosopher and early socialist thinker. This striking image, titled "apostle of socialism, enemy of property and its patented destructor," was originally created by Daumier for the French satirical newspaper "Charivari" in 1849. Our high-quality Metal Prints are known for their vibrant colors, rich textures, and long-lasting durability. Leonard de Selva's fine art photography captures every detail of this iconic image, making it a must-have for any collection that values social and political history. Order your Metal Print today and join the conversation about the past, present, and future of social and economic systems.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a remarkable caricature by Honore Daumier, titled "Proudhon, apostle of socialism, enemy of property and its patented destructor". Created in 1849 for the renowned publication "Charivari" this artwork encapsulates the essence of Proudhon's radical ideologies and his relentless opposition to the concept of private ownership. Daumier's skillful drawing captures Proudhon's larger-than-life persona with precision and wit. The artist portrays him as an influential figure, standing tall amidst a backdrop filled with symbols representing anarchism and socialism. Proudhon's determined expression reflects his unwavering commitment to challenging societal norms and advocating for a more equitable distribution of wealth. The intricate details within this artwork highlight Daumier's mastery in capturing both physical likeness and ideological depth. Each stroke brings out the intensity behind Proudhon's eyes, emphasizing his fervent beliefs that shook the foundations of traditional economic systems during that era. Leonard de Selva has expertly captured this iconic piece through photography, preserving its historical significance for future generations to appreciate. This print allows art enthusiasts to delve into the world of 19th-century rivalry between different political ideologies while showcasing Daumier's exceptional talent as a satirical artist. As we gaze upon this image today, it serves as a reminder of how art can transcend time, sparking conversations about social justice and economic equality that remain relevant even centuries later.
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