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Metal Print : An allegory of innocence and guile (oil on canvas)

An allegory of innocence and guile (oil on canvas)



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An allegory of innocence and guile (oil on canvas)

BWM155774 An allegory of innocence and guile (oil on canvas) by Heemskerck, Maerten van (1498-1574); The Bowes Museum, Barnard Castle, County Durham, UK; eBowes Museum; Dutch, out of copyright

Media ID 22604478

© Bowes Museum / Bridgeman Images

Ambiguity Deceit Dove Purity Treachery Serpent Snakes


16"x20" (51x41cm) Metal Print

Bring the captivating world of Old Masters art into your home with Media Storehouse Metal Prints. Our premium-quality prints feature this exquisite allegory of innocence and guile by Maerten van Heemskerck, an oil on canvas masterpiece from The Bowes Museum. With vibrant colors and stunning detail, this timeless work of art comes to life in a sleek, modern metal print. Perfect for adding depth and sophistication to any decor, our metal prints are waterproof, scratch-resistant, and UV-protected, ensuring your investment is protected for years to come. Experience the beauty of fine art like never before with Media Storehouse Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Columbiformes > Doves > Related Images

> Animals > Reptiles > Snakes > Related Images

> Arts > Artists > H > Maerten van Heemskerck

> Arts > Fine Art

> Arts > Still life artwork > Oil paintings > Wildlife paintings

> Europe > United Kingdom > England > County Durham > Barnard Castle

> Europe > United Kingdom > England > County Durham > Durham

> Europe > United Kingdom > England > Durham > Barnard Castle

> Europe > United Kingdom > England > Durham > Bowes

> Europe > United Kingdom > England > Durham > Durham


EDITORS COMMENTS
This oil on canvas painting, titled "An allegory of innocence and guile" by Maerten van Heemskerck, is a true masterpiece that evokes a sense of intrigue and contemplation. The artwork, housed in the prestigious Bowes Museum in Barnard Castle, County Durham, UK, showcases the artist's exceptional talent for capturing complex emotions through his brushstrokes. At first glance, one is immediately drawn to the contrasting elements within the composition. A female figure stands at the center of the painting, embodying both innocence and guile simultaneously. She holds a snake delicately in her hands while a dove perches nearby. This juxtaposition between purity and deceit creates an air of ambiguity that leaves viewers questioning her true intentions. The serpent slithering around her arm symbolizes treachery and cunningness while also representing ambivalence. It serves as a reminder that appearances can be deceiving and that even those who seem innocent may possess hidden motives. Heemskerck's attention to detail is evident in every stroke; he expertly captures the texture and movement of each animal portrayed – from the sinuous curves of the snake to the delicate feathers of the dove. Through this meticulous rendering of wildlife, he invites us into a world where animals become metaphors for human behavior. In this thought-provoking piece, Heemskerck challenges our perceptions about good versus evil and forces us to confront our own capacity for duplicity. As we gaze upon this mesmer

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