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Metal Print : A drunken brawl at an Irish wake in St. Giles slum. The Wake, or last appearance of Teddy O'Rafferty, a scene in the Holy Land. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825
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A drunken brawl at an Irish wake in St. Giles slum. The Wake, or last appearance of Teddy O'Rafferty, a scene in the Holy Land. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825
FLO4619070 A drunken brawl at an Irish wake in St. Giles slum. The Wake, or last appearance of Teddy O'Rafferty, a scene in the Holy Land. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.; (add.info.: A drunken brawl at an Irish wake in St. Giles slum. The Wake, or last appearance of Teddy O'Rafferty, a scene in the Holy Land. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.); © Florilegius
Media ID 38464334
© © Florilegius / Bridgeman Images
Alcool Angleterre Beer Bernard Blackmantle Biere Blowjob Boisson Bougie Candle Candle Light Candlelight Candles Charles Molloy Westmacott Corpse Drunk Holy Land Robert Cruikshank The English Spy Tobacco Wake Wake Up Whiskey Whisky Booze Brawl Grande Bretagne
16"x24" (61x41cm) Metal Print
Step into the raucous world of Victorian-era Ireland with our Metal Print featuring 'A Drunken Brawl at an Irish Wake...' by Robert Cruikshank. This stunning piece from The English Spy (1825) captures the lively atmosphere of a wake, where friends and family gather to pay their respects to Teddy O'Rafferty in this handcoloured copperplate drawing. Printed on durable metal for a unique, eye-catching display.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This handcoloured copperplate print from 1825 depicts a chaotic scene at an Irish wake in St. Giles slum, where the last appearance of Teddy O'Rafferty is being mourned amidst a drunken brawl. The flickering candlelight illuminates the rowdy crowd, with whiskey bottles and beer mugs scattered around as people engage in a heated scuffle.
The artist, Robert Cruikshank, captures the raw emotion and energy of the moment with his detailed caricatures and satirical style. The engraving brings to life the lively atmosphere of this unconventional gathering, where mourning turns into revelry and tensions run high.
Bernard Blackmantle's narrative adds depth to the scene, providing context for the viewer to understand the cultural significance of this Irish wake in London's slums. Charles Molloy Westmacott's pseudonym lends an air of mystery to the story behind Teddy O'Rafferty's passing and its impact on those present.
As we gaze upon this historical artwork, we are transported back in time to witness a unique blend of mourning and celebration unfold before our eyes. It serves as a reminder of how art can capture moments of human experience that transcend time and place.
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