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Metal Print : A priest and a woman of the people, dressed in rags; the professional Spanish beggars
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A priest and a woman of the people, dressed in rags; the professional Spanish beggars
LSE4326331 A priest and a woman of the people, dressed in rags; the professional Spanish beggars settled on the courts of the churches to exploit the Christian charity skillfully. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in " Le tour du monde, nouveau journal des voyages" published under the direction of Edouard Charton, 1867, Paris. Selva Collection. by Dore, Gustave (1832-83); Private Collection; (add.info.: A priest and a woman of the people, dressed in rags; the professional Spanish beggars settled on the courts of the churches to exploit the Christian charity skillfully. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in " Le tour du monde, nouveau journal des voyages" published under the direction of Edouard Charton, 1867, Paris. Selva Collection.); Photo eLeonard de Selva; French, out of copyright
Media ID 22299918
© Leonard de Selva / Bridgeman Images
Beggar Charity Oldness Pauper Catholic Religion Old Man
16"x20" (51x41cm) Metal Print
Bring the evocative storytelling of Leonard de Selva's 'A priest and a woman of the people, dressed in rags; the professional Spanish beggars' (LSE4326331) into your home with a Media Storehouse Metal Print. This exquisite fine art image, sourced from Fine Art Finder, captures the intricate interplay of faith, charity, and humanity in 17th century Spain. The haunting expression of the priest and the resilient gaze of the woman invite contemplation and reflection. Each Metal Print is expertly crafted using high-quality materials and state-of-the-art printing techniques to ensure a stunning, long-lasting piece of art for your space.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures a poignant scene from 19th-century Spain. In the image, a priest and a woman of the people stand side by side, both dressed in tattered rags. These individuals are not ordinary beggars; they are professional Spanish beggars who have strategically positioned themselves on the courts of churches to exploit Christian charity. The sketch, taken live by Gustave Dore in 1862, beautifully illustrates the harsh reality faced by these skilled manipulators. The engraving was created as part of an endeavor to document a voyage through Spain undertaken by Charles Davillier and Gustave Dore for "Le tour du monde" a renowned journal of travels published under Edouard Charton's direction. Davillier and Dore sought to shed light on various aspects of Spanish society during their journey, including this particular facet that highlights how some individuals took advantage of religious institutions' generosity. The contrast between the priest's pious presence and the destitute appearance of the woman emphasizes this exploitation. This evocative photograph is now part of Leonard de Selva's private collection, serving as an enduring reminder of societal dynamics prevalent at that time. It offers viewers an opportunity to reflect on themes such as poverty, religion, and human resilience while appreciating Gustave Dore's artistic talent in capturing such raw emotions through his sketches.
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