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Metal Print : The pig, the goat and the sheep (le cochon, la chevre et le mouton
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The pig, the goat and the sheep (le cochon, la chevre et le mouton
DUV4214659 The pig, the goat and the sheep (le cochon, la chAvre et le mouton) - Fables by La Fontaine, 19th century (engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47); Private Collection; (add.info.: Illustrations by JJ Granville (1803-1847), reported on wood by Auguste Desperet (1804-1865)and engraved by Franz Robert Richard Brend Amour); Photo eDuvallon; French, out of copyright
Media ID 23334306
© Duvallon / Bridgeman Images
Dirty Goat John Of 1621 1695 Lafontaine Artwork Mutton Paesants Weep Young Goat Duvallon
16"x20" (51x41cm) Metal Print
Bring the timeless charm of French literature to your home with Media Storehouse's Metal Prints featuring "The Pig, The Goat, and The Sheep" by Jean Ignace Isidore Gerard, also known as Grandville. This captivating 19th-century engraving, inspired by the fables of Jean de La Fontaine, showcases a playful interaction between a pig, a goat, and a sheep. Our high-quality Metal Prints not only preserve the intricate details of this classic work but also add a modern and stylish touch to your decor. Each print is meticulously printed on a durable aluminum sheet, ensuring vibrant colors and long-lasting durability. Elevate your space with this beautiful piece of art that tells a story, adding a touch of whimsy and sophistication to any room.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures a timeless scene from the 19th century, showcasing "The pig, the goat and the sheep" - characters brought to life by renowned French illustrator Jean Ignace Isidore Gerard, also known as Grandville. This enchanting engraving is part of a collection of fables written by La Fontaine. In this evocative image, we see an assortment of farm animals in distress. The goat and the sheep appear to be sobbing uncontrollably while being transported on a rustic cart. Their tear-streaked faces convey deep emotions that resonate with viewers across time. The intricate details in this artwork are truly remarkable; every stroke tells a story. The artist's skillful portrayal brings out the essence of these humble creatures, emphasizing their vulnerability and innocence against the backdrop of rural France. "The pig, the goat and the sheep" not only serves as an exquisite example of 19th-century literature but also offers us a glimpse into peasant life during that era. It reminds us of our interconnectedness with nature and highlights our responsibility towards caring for all living beings. As we admire this stunning piece from Bridgeman Images' private collection, let us reflect upon its enduring message: compassion knows no boundaries or species.
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