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Metal Print : Edwardian British postcard satirising freemasons. Circa 1908. Freemasonry or Masonry consists of fraternal organisations that trace their origins to the local fraternities of stonemasons, which from the end of the fourteenth century

Edwardian British postcard satirising freemasons. Circa 1908. Freemasonry or Masonry consists of fraternal organisations that trace their origins to the local fraternities of stonemasons, which from the end of the fourteenth century



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Edwardian British postcard satirising freemasons. Circa 1908. Freemasonry or Masonry consists of fraternal organisations that trace their origins to the local fraternities of stonemasons, which from the end of the fourteenth century

5617016 Edwardian British postcard satirising freemasons. Circa 1908. Freemasonry or Masonry consists of fraternal organisations that trace their origins to the local fraternities of stonemasons, which from the end of the fourteenth century; (add.info.: 02/02/1908); Universal History Archive/UIG

Media ID 38508258

© Universal History Archive/UIG / Bridgeman Images

1908 Freemasonry Freemasons Masonry


16"x24" (61x41cm) Metal Print

Uncover the secrets and symbolism behind one of history's most mysterious organizations with our Metal Prints featuring vintage illustrations from Bridgeman Images' Fine Art Finder. This 1908 British postcard satirizes Freemasonry, a fraternal organization tracing its roots back to medieval stonemasons. Each print is carefully crafted to showcase intricate details and bold colors, making it the perfect addition to any history buff's collection or office decor.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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EDITORS COMMENTS
This Edwardian British postcard from 1908 offers a satirical take on the secretive world of Freemasonry. Freemasonry, with its origins in the local fraternities of stonemasons dating back to the fourteenth century, has long been shrouded in mystery and intrigue. In this whimsical image, we see caricatures of freemasons engaged in their rituals, wearing their distinctive aprons and wielding symbolic tools. The artist behind this print captures the essence of the era's fascination with secret societies and clandestine gatherings. The exaggerated features and comical expressions add a touch of humor to what was often seen as a serious and solemn tradition. During the Edwardian period, satire was a popular form of social commentary, poking fun at various aspects of society including politics, religion, and yes, even fraternal organizations like Freemasonry. This postcard serves as both entertainment and critique, inviting viewers to ponder the inner workings of these exclusive groups. As we gaze upon this vintage print today, we are transported back to a time when curiosity about secret societies ran high and artists were not afraid to poke fun at traditions that seemed mysterious or elitist. The charm of this satirical postcard lies in its ability to capture both the allure and absurdity of Freemasonry in early twentieth-century Britain.

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