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Metal Print : View of the Temple of Fortuna Virilis, now the Armenian church of S. Maria Egizziaca, c
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View of the Temple of Fortuna Virilis, now the Armenian church of S. Maria Egizziaca, c
1071431 View of the Temple of Fortuna Virilis, now the Armenian church of S. Maria Egizziaca, c.1760-78 (etching) by Piranesi, Giovanni Battista (1720-78); 37.8x58.7 cm; Dallas Museum of Art, Texas, USA; (add.info.: Giovanni Battista Piranesi (1720-1778) Italian); Foundation for the Arts, The Alfred and Juanita Bromberg Collection, bequest of Juanita K. Bromberg; Italian, out of copyright
Media ID 23518836
© Foundation for the Arts, The Alfred and Juanita Bromberg Collection, bequest of Juanita K. Bromberg / Bridgeman Images
16"x24" (61x41cm) Metal Print
Breathtaking history comes to life with our Media Storehouse Metal Prints. Feast your eyes on the enchanting View of the Temple of Fortuna Virilis, now the Armenian church of S. Maria Egizziaca, captured in exquisite detail by the masterful hand of Giovanni Battista Piranesi. This etching, originally created between 1760 and 1778, transports you back in time to ancient Rome. Our high-quality metal prints are not only visually stunning but also durable, ensuring your new artwork becomes a cherished addition to your home or office.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures the mesmerizing view of the Temple of Fortuna Virilis, now known as the Armenian church of S. Maria Egizziaca. Created by Giovanni Battista Piranesi in 1760-78, this etching measures 37.8x58.7 cm and is housed at the Dallas Museum of Art in Texas, USA. Piranesi's masterful depiction showcases his deep appreciation for classical architecture and buildings. The grandeur and intricate details of the temple are beautifully captured, transporting viewers to ancient Rome where religion played a significant role in society. The transformation from a Roman temple to an Armenian church adds another layer of historical significance to this artwork. It symbolizes the passage of time and cultural evolution that has taken place over centuries. The inclusion of Santa Maria Egizziaca highlights its religious importance within Italian history and its connection to both Christian and pagan traditions. This fusion creates a unique blend that speaks volumes about Italy's rich heritage. As you gaze upon this image, you can't help but marvel at Piranesi's skill in capturing not just architectural beauty but also conveying a sense of reverence towards these sacred spaces. It serves as a reminder that even though civilizations may change, their spiritual essence endures through time. This photograph is part of The Alfred and Juanita Bromberg Collection at the Dallas Museum of Art, generously bequeathed by Juanita K. Bromberg herself. Its presence within this esteemed collection further solidifies its status
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