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Metal Print : Iris meda, Originally from Persia (Iran). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889
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Iris meda, Originally from Persia (Iran). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889
FLO4585794 Iris meda, Originally from Persia (Iran). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.; (add.info.: Iris meda, Originally from Persia (Iran). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.); © Florilegius
Media ID 38247212
© © Florilegius / Bridgeman Images
Angleterre Iris Allemagne Grande Bretagne
16"x24" (61x41cm) Metal Print
Elevate your space with the timeless beauty of nature! Our Metal Prints feature stunning botanical illustrations from Bridgeman Images' Fine Art Finder collection. This exquisite piece showcases 'Iris meda', originally from Persia (Iran), beautifully rendered by Matilda Smith and J.N. Fitch in Curtis Botanical Magazine, 1889. A perfect blend of artistry and science, this metal print is sure to delight anyone who appreciates the wonders of botany.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This stunning lithograph of Iris meda, originally from Persia (Iran), captures the intricate beauty of this exotic flower. The detailed drawing by Matilda Smith and expert lithography by J.N. Fitch bring out the vibrant colors and delicate details of the iris, showcasing its unique characteristics.
Published in London, England in 1889 as part of Curtis Botanical Magazine by Joseph Dalton Hooker, this print is a true masterpiece of botanical artistry. The collaboration between Smith, Fitch, and Hooker resulted in a work that not only serves as a visual delight but also as a valuable resource for botanical knowledge.
The elegant lines and graceful curves of the iris are expertly rendered in this lithograph, highlighting its importance as a subject for study and admiration. The precision and skill displayed in this artwork speak to the dedication and talent of all involved in its creation.
As we gaze upon this image, we are transported back to the late nineteenth century when botanical exploration was at its peak. This print serves as a reminder of the rich history of plant discovery and classification that continues to inspire botanists and nature enthusiasts today.
In conclusion, this lithograph is not just a beautiful piece of art but also a testament to human curiosity and appreciation for the natural world. It stands as a timeless representation of the enduring allure of flowers like Iris meda from distant lands like Persia (Iran).
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