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Metal Print : Pope Benedict XIV presenting the Encyclical Ex Omnibus
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Pope Benedict XIV presenting the Encyclical Ex Omnibus
995753 Pope Benedict XIV presenting the Encyclical Ex Omnibus to the Comte de Stainville, later Duc de Choiseul, 1757 (oil on canvas) by Batoni, Pompeo Girolamo (1708-87); 128.9x179.3 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: Pope Benedict XIV (Latin: Benedictus XIV; 31 March 1675 - 3 May 1758), born Prospero Lorenzo Lambertini, was Pope from 17 August 1740 to his death in 1758.
Etienne-FranAzois, comte de Stainville, duc de Choiseul (28 June 1719 - 8 May 1785) was a French military officer, diplomat and statesman. ); eMinneapolis Institute of Art; The William Hood Dunwoody Fund; Italian, out of copyright
Media ID 23022376
© Minneapolis Institute of Art The William Hood Dunwoody Fund / Bridgeman Images
Benedict Canopy Celestial Comte Diplomacy Diplomat Document Dove Earthly Enthroned Formal God The Father Iconography Omnibus Pomp Presentation Presenting Regalia Rococo Spirit Vatican Cherubim Cherubs Choiseul Neoclassical
16"x20" (51x41cm) Metal Print
Bring the grandeur of Baroque art into your home with our Media Storehouse Metal Prints. Featuring the captivating image of Pope Benedict XIV presenting the Encyclical Ex Omnibus to the Comte de Stainville, later Duc de Choiseul, by the renowned artist Batoni from Bridgeman Images. Our high-quality metal prints are meticulously crafted to bring out the rich colors and intricate details of this Fine Art Finder masterpiece. Each print is printed directly onto a lightweight and durable aluminum sheet, ensuring a stunning, vibrant image that is resistant to fading and moisture. Elevate your decor with this beautiful work of art that tells a story of history and faith.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures a significant historical moment as Pope Benedict XIV presents the Encyclical Ex Omnibus to the esteemed Comte de Stainville, later known as Duc de Choiseul. Painted by Pompeo Girolamo Batoni in 1757, this oil on canvas masterpiece measures 128.9x179.3 cm and is housed at the Minneapolis Institute of Arts in Minnesota, USA. Pope Benedict XIV, born Prospero Lorenzo Lambertini, served as Pope from 1740 until his passing in 1758. In this scene, he is depicted in all his regal splendor and spiritual authority, seated upon an ornate throne under a celestial canopy. Surrounding him are angels and cherubs symbolizing divine presence and heavenly blessings. The recipient of the encyclical, Etienne-François de Stainville, was a distinguished French military officer turned diplomat and statesman. This meeting between two influential figures represents the intersection of religious leadership and political power during that era. Batoni's neoclassical style beautifully captures the grandeur of this ceremonial event with meticulous attention to detail. The painting showcases elements such as intricate architecture, formal attire adorned with regalia, and serene saints observing from above. As we gaze upon this remarkable artwork today, we are transported back to a time when diplomacy intertwined with spirituality—a testament to both human ambition and divine guidance.
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