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Metal Print : L Plate au beurre, number 199, Satirique en couleurs, 1905_3_11: Colonization
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L Plate au beurre, number 199, Satirique en couleurs, 1905_3_11: Colonization
ICA4901726 L Plate au beurre, number 199, Satirique en couleurs, 1905_3_11: Colonization, America, Anticolonialism, Alcohol Alcoholism - Black, Uncle Sam - Case of Fort Crampel - Illustration by Adolphe (Willette) (1857-1926) by Willette, Adolphe Leon (1857-1926); (add.info.: L Plate au beurre, number 199, Satirique en couleurs, 1905_3_11: Colonization, America, Anticolonialism, Alcohol Alcoholism - Black, Uncle Sam - Case of Fort Crampel - Illustration by Adolphe (Willette) (1857-1926)); Photo eCaricadoc; French, out of copyright
Media ID 23338416
© Caricadoc / Bridgeman Images
Anticolonialism Congo Uncle Sam Caricadoc Journalism Newspapers
16"x20" (51x41cm) Metal Print
Discover the thought-provoking art of the past with Media Storehouse Metal Prints. Featuring the iconic L Plate au beurre, number 199, Satirique en couleurs, 1905_3_11: Colonization by Bridgeman Images from Fine Art Finder. This satirical work, titled "Colonization," offers a poignant commentary on America's colonial past, anticolonialism, and the societal impact of alcoholism on the Black community. Bring this powerful piece into your home or office space and start a conversation. Each Metal Print is made with premium materials, ensuring vibrant colors and long-lasting durability. Order yours today and add a touch of history and thought-provoking art to your decor.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "L Plate au beurre, number 199, Satirique en couleurs, 1905_3_11: Colonization" captures a powerful satirical illustration by Adolphe Willette. Created in 1905, this artwork delves into the themes of colonization and anticolonialism during that era. The image depicts Uncle Sam, a symbol of the United States, facing the case of Fort Crampel. The illustration highlights America's involvement in colonial ventures and its impact on African nations like Congo. Willette skillfully portrays the consequences of colonization through his use of symbolism and satire. In this thought-provoking piece, Willette also addresses social issues such as alcoholism among Black communities affected by colonial rule. By incorporating elements of food and drink alongside Uncle Sam's presence, he draws attention to the exploitation and economic interests associated with colonization. The print itself is an excellent representation of this historic artwork from the early 20th century. With its intricate details and vibrant colors, it allows viewers to appreciate Willette's artistic style while contemplating the complex themes explored within the illustration. Overall, this print serves as a visual reminder of past struggles against colonialism and raises awareness about ongoing debates surrounding power dynamics between nations. It invites us to reflect on historical events while encouraging critical thinking about contemporary global issues related to imperialism and cultural domination.
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