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Metal Print : Priam redeems the dead body of Hector, Domenico Cunego, 1764 (engraving)

Priam redeems the dead body of Hector, Domenico Cunego, 1764 (engraving)



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Priam redeems the dead body of Hector, Domenico Cunego, 1764 (engraving)

XJF486470 Priam redeems the dead body of Hector, Domenico Cunego, 1764 (engraving) by Hamilton, Gavin (1723-98) (after); Private Collection; (add.info.: Priam kisses the hand of Achilles in order to redeem the body of his son Hector. Domenico Cunego (1727-94) Italian engraver); Scottish, out of copyright

Media ID 12913643

© www.bridgemanart.com

Achilles Claiming Domenico Hector Killed Kisses Kissing Mythic Priam Trojan Cunego Reclaiming Redeeming


16"x24" (61x41cm) Metal Print

Bring timeless beauty into your home with Media Storehouse Metal Prints. This exquisite piece, "Priam redeems the dead body of Hector" by Domenico Cunego (1764), showcases the poignant moment from the Iliad where King Priam begs for the return of his son Hector's body. This engraving, originally created by Gavin Hamilton after the work of Domenico Cunego, is now available as a stunning metal print. The vibrant colors and exceptional detail are preserved in the high-quality metal print, making it a captivating addition to any art collection. Experience the rich history and emotion of this fine art masterpiece in a contemporary and durable way with Media Storehouse Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
In this engraving titled "Priam Redeems the Dead Body of Hector" we are transported to the heart-wrenching scene from Greek mythology. Domenico Cunego, an Italian engraver, skillfully captures the emotional intensity of this moment. The image depicts Priam, the grief-stricken father and King of Troy, kneeling before Achilles, who had killed his beloved son Hector in battle. Priam's desperation to reclaim his son's lifeless body is palpable as he tenderly kisses Achilles' hand. This act symbolizes his plea for mercy and compassion in order to give Hector a proper burial. The composition exudes a sense of sorrow and loss with its dramatic lighting and intricate details. The characters' expressions convey their deep anguish and profound connection despite being on opposing sides during the Trojan War. Cunego's masterful technique brings forth every nuance of emotion etched into their faces, making it impossible not to be moved by this tragic encounter between two fathers caught up in a cycle of violence beyond their control. This powerful print serves as a poignant reminder of the human cost that war exacts upon families and individuals alike. It encapsulates both the universal themes found within Greek mythology and our own capacity for empathy towards those who have suffered great loss.

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