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Metal Print : Treve of the Lord under Henry I in 1004: The Virgin appearing at the Timberman
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Treve of the Lord under Henry I in 1004: The Virgin appearing at the Timberman
XEE4403996 Treve of the Lord under Henry I in 1004: The Virgin appearing at the Timberman, near the Puy-en-Velay (Puy en Velay, Haute Loire), gives her a medal and orders her to work for Peace: this is the starting point of the Treve de Dieu set up in 1044. Engraving by Moreau le jeune (18th century). by Moreau, Jean Michel the Younger (1741-1814) (after); Private Collection; (add.info.: Treve of the Lord under Henry I in 1004: The Virgin appearing at the Timberman, near the Puy-en-Velay (Puy en Velay, Haute Loire), gives her a medal and orders her to work for Peace: this is the starting point of the Treve de Dieu set up in 1044. Engraving by Moreau le jeune (18th century).); Stefano Bianchetti; French, out of copyright
Media ID 22301132
© Stefano Bianchetti / Bridgeman Images
11 11th 11th Xi 11th 11th Century Bucheron Eyesight Miracle Collection Lemage
16"x24" (61x41cm) Metal Print
Bring the enchanting beauty of medieval art into your home with our Media Storehouse Metal Prints. Featuring the captivating image of "Treve of the Lord under Henry I in 1004: The Virgin appearing at the Timberman" by Stefano Bianchetti from Fine Art Finder (XEE4403996). This exquisite work of art, depicting the Virgin Mary appearing to a timberman near Puy-en-Velay in France during the reign of Henry I, is now available in a high-quality metal print. The vibrant colors and intricate details are beautifully preserved, making this a stunning addition to any decor. Order now and experience the timeless allure of this medieval masterpiece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Treve of the Lord under Henry I in 1004 - The Virgin appearing at the Timberman
EDITORS COMMENTS
. This print captures a pivotal moment in history, depicting an engraving by Moreau le jeune from the 18th century. The scene takes us back to the year 1004 when Henry I ruled and showcases an extraordinary event near Puy-en-Velay, Haute Loire. In this remarkable depiction, we witness the Virgin Mary herself appearing before a timberman. She bestows upon him a medal and imparts a divine order to work for peace. This encounter serves as the catalyst for what would become known as Treve de Dieu or "Truce of God" established in 1044. The engraving beautifully portrays this significant biblical event with intricate details that transport us to medieval times. It is evident that Moreau le jeune's skillful craftsmanship has brought this historical moment to life. As we gaze upon this artwork, we are reminded of the power of faith and how it can inspire individuals to strive for harmony amidst conflict. The image invites contemplation on themes such as spirituality, miracles, and religious devotion. Stefano Bianchetti's photograph preserves not only an exquisite piece of art but also a glimpse into our collective past—a testament to human creativity and our enduring fascination with stories from antiquity.
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