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Metal Print : Jerusalem was conqueded by Caliph Omar, Muhammads disciple in 638

Jerusalem was conqueded by Caliph Omar, Muhammads disciple in 638



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Jerusalem was conqueded by Caliph Omar, Muhammads disciple in 638

LSE4310635 Jerusalem was conqueded by Caliph Omar, Muhammads disciple in 638. Liebig advertising vignette, 19th century. by French School, (19th century); Private Collection; (add.info.: Jerusalem was conqueded by Caliph Omar, Muhammads disciple in 638. Liebig advertising vignette, 19th century.); Photo eLeonard de Selva; French, out of copyright

Media ID 22300410

© Leonard de Selva / Bridgeman Images

Camel Israel Israeli Chromolithography Chromo


16"x24" (61x41cm) Metal Print

Experience the rich history of Jerusalem's legendary conquest come to life with our exquisite Metal Print of "Jerusalem was conquered by Caliph Omar, Muhammad's disciple in 638" by Leonard de Selva. This stunning 19th-century French School artwork, now part of the Fine Art Finder collection, captures the essence of a pivotal moment in history. Our premium Metal Prints are known for their vibrant colors, incredible detail, and long-lasting durability. Bring history into your home or office with this beautiful and inspiring piece of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > French School

> Animals > Mammals > Camel

> Asia > Israel > Jerusalem

> Asia > Israel > Related Images

> Europe > France > Military


EDITORS COMMENTS
This print captures a significant moment in history - the conquest of Jerusalem by Caliph Omar, Muhammad's devoted disciple, in 638. The image is an advertising vignette from the 19th century, created by the French School and now part of a private collection. In this scene, we witness the power and might of Caliph Omar's army as they enter Jerusalem on horseback and camel. The military procession stretches far into the distance, symbolizing their dominance over the land. The chromolithography technique used to create this artwork enhances its vibrancy and detail. Jerusalem holds immense historical and religious significance for multiple faiths around the world. This conquest marked a turning point in its history as it transitioned under Islamic rule. It is fascinating to observe how this event was depicted during the 19th century when Europe had a growing interest in Orientalism. Leonard de Selva beautifully captured this momentous occasion through his lens, showcasing both the grandeur of Caliph Omar's army and their connection with nature through their use of horses and camels. This photograph serves as a reminder of how art can preserve important moments from our past while also offering insight into cultural perceptions at different points in time. As we gaze upon this remarkable piece, let us appreciate its historical significance while acknowledging that it represents just one perspective among many narratives surrounding Jerusalem's complex history.

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