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Metal Print : The Idle Prentice at Play in the Church Yard, During Divine Service - Plate from a

The Idle Prentice at Play in the Church Yard, During Divine Service - Plate from a



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The Idle Prentice at Play in the Church Yard, During Divine Service - Plate from a

XEE4161234 The Idle Prentice at Play in the Church Yard, During Divine Service - Plate from a series of 12 engravings by William Hogarth (1697-1764), British illustrator, entitled " Industry and Idleness", " The Zele and the Laziness", recounting the careers of two apprentices, 1747: Thomas; the lazy plays between the graves of a cemetery with chards has the Mass time. In " Le magazin picturesque" 1835 by Hogarth, William (1697-1764); Private Collection; (add.info.: The Idle Prentice at Play in the Church Yard, During Divine Service - Plate from a series of 12 engravings by William Hogarth (1697-1764), British illustrator, entitled " Industry and Idleness", " The Zele and the Laziness", recounting the careers of two apprentices, 1747: Thomas; the lazy plays between the graves of a cemetery with chards has the Mass time. In " Le magazin picturesque" 1835); Stefano Bianchetti; English, out of copyright

Media ID 23312320

© Stefano Bianchetti / Bridgeman Images

Adolescence Adolescent Cemetery Churchyard Graveyard Laziness Misery Morals Pauper Vice Coin


16"x20" (51x41cm) Metal Print

Bring the timeless charm of William Hogarth's engravings into your home with Media Storehouse Metal Prints. Our premium prints feature "The Idle Prentice at Play in the Church Yard, During Divine Service" from the series of 12, beautifully captured by Stefano Bianchetti. Each Metal Print is meticulously crafted with vibrant colors and sharp details, ensuring a stunning visual experience. Elevate your decor with this captivating piece of art history.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > French School

> Fine Art Finder > Artists > William Hogarth

> Arts > Artists > C > Thomas Churchyard

> Arts > Artists > H > William Hogarth

> Arts > Artists > W > William White

> Arts > Artists > William Hogarth

> Europe > United Kingdom > England > London > Art > William Hogarth

> Popular Themes > Money

> Popular Themes > William Hogarth


EDITORS COMMENTS
This print captures a scene from William Hogarth's renowned series of engravings titled "Industry and Idleness". The specific plate depicted here is called "The Idle Prentice at Play in the Church Yard, During Divine Service", which forms part of the larger narrative recounting the contrasting careers of two apprentices in 18th century Britain. In this particular image, we are introduced to Thomas, the lazy apprentice who finds himself idling away during church service. Against the backdrop of a cemetery filled with gravestones and shards, Thomas can be seen engaging in playful activities instead of attending Mass. This whimsical yet thought-provoking composition showcases Hogarth's keen eye for detail and his ability to convey social commentary through visual storytelling. Originally published in 1747, these engravings were later featured in "Le magazin picturesque" in 1835. Today, this print by Stefano Bianchetti allows us to appreciate Hogarth's artistic genius and reflect on themes such as industry versus laziness that remain relevant even centuries later. As we gaze upon this image, we are reminded of the timeless struggle between productivity and idleness. It serves as a poignant reminder that our choices shape our future paths and that diligence is often rewarded while indolence leads to ruin.

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