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Metal Print : Transept of St Mary Redcliffe, looking South, 1828 (w / c & pencil on paper)

Transept of St Mary Redcliffe, looking South, 1828 (w  /  c & pencil on paper)



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Transept of St Mary Redcliffe, looking South, 1828 (w / c & pencil on paper)

2831442 Transept of St Mary Redcliffe, looking South, 1828 (w/c & pencil on paper) by Johnson, James (1803-34); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; English, out of copyright

Media ID 23131754

© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images

Bristol Nave Transept Ecclesiastical


16"x24" (61x41cm) Metal Print

Bring the timeless beauty of art into your home with Media Storehouse Metal Prints. This exquisite piece features the captivating Transept of St Mary Redcliffe, as depicted in an 1828 watercolor and pencil drawing by James Johnson. Originally housed at the Bristol Museum and Art Gallery in the UK, this masterpiece now comes to life in vibrant metallic colors. Each Metal Print is carefully crafted using premium materials and advanced printing techniques, ensuring a stunning, museum-quality finish. Add a touch of history and elegance to any room with this breathtaking work of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Frederick Mackenzie

> Fine Art Finder > Artists > James Johnson

> Fine Art Finder > Interiors: Ecclesiastical & Formal

> Architecture > Churches

> Architecture > Religious

> Architecture > Styles > Gothic Architecture

> Arts > Art Movements > Medieval Art

> Arts > Artists > J > William James

> Europe > United Kingdom > England > Bristol > Bristol

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > Paintings

> Historic > Medieval architecture > Cathedrals and churches

> Historic > Medieval architecture


EDITORS COMMENTS
This print takes us back in time to the Transept of St Mary Redcliffe, looking South, in 1828. The artist, James Johnson, skillfully captured the essence of this magnificent religious space with watercolor and pencil on paper. As we gaze upon this image, we are transported into the heart of a medieval church. The intricate details of the architecture showcase the grandeur and beauty that define Gothic design. The soaring nave draws our eyes upward towards the heavens, evoking a sense of awe and reverence. The play of light and shadow within the transept adds depth and drama to the scene. Sunlight streams through stained glass windows, casting vibrant hues onto stone pillars and ornate carvings. It is as if time stands still within these sacred walls. St Mary Redcliffe's historical significance cannot be understated; it has been an integral part of Bristol's cultural fabric for centuries. This painting serves as a testament to its enduring legacy. Thanks to William Jerdone Braikenridge's generous bequest in 1908, this artwork now resides in Bristol Museum and Art Gallery where it can be admired by all who visit. Its presence reminds us not only of our rich architectural heritage but also invites contemplation on spirituality and faith. In capturing this moment frozen in time, Johnson has given us a glimpse into history - an exquisite fusion of artistry and devotion that continues to inspire generations today.

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