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Metal Print : Noblewoman from Naples and bourgeois woman of Rome, late 16th century. From miniature paintings in the Stammbuch (Friendship Book) of Andreas Heidenreich by Pidenegg
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Noblewoman from Naples and bourgeois woman of Rome, late 16th century. From miniature paintings in the Stammbuch (Friendship Book) of Andreas Heidenreich by Pidenegg
FLO4644475 Noblewoman from Naples and bourgeois woman of Rome, late 16th century. From miniature paintings in the Stammbuch (Friendship Book) of Andreas Heidenreich by Pidenegg. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.; (add.info.: Noblewoman from Naples and bourgeois woman of Rome, late 16th century. From miniature paintings in the Stammbuch (Friendship Book) of Andreas Heidenreich by Pidenegg. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.); © Florilegius
Media ID 38244286
© © Florilegius / Bridgeman Images
Bourgeoisie Campania Campania Region Coiffure Collerette Eventail Hairdo Hairstyles Hairstyling Italie Latium Metropolitan City Of Naples Naples Noblesse Region De Campanie Strawberry Femme Hair Style
16"x20" (51x41cm) Metal Print
Elevate your space with a touch of elegance! Our Metal Prints feature stunning artworks like 'Noblewoman from Naples and bourgeois woman of Rome, late 16th century' - a beautiful depiction of two women from different walks of life. Printed on high-quality metal for a sleek finish, these prints are perfect for adding sophistication to any room. Bring artistry into your home with the Media Storehouse range.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This chromolithograph captures the elegance and sophistication of two women from different social classes in late 16th century Italy. The noblewoman from Naples exudes grace and refinement with her elaborate gown, intricate jewelry, and regal posture. Her attire reflects her high status and impeccable taste, showcasing the luxurious fabrics and ornate details that were favored by the aristocracy during this period.
In contrast, the bourgeois woman of Rome is depicted in a more modest yet stylish ensemble that still conveys her wealth and social standing. Her attire may be simpler than that of the noblewoman, but it is no less elegant or fashionable. The subtle differences in their clothing speak to the nuances of class distinctions in Renaissance society, where one's wardrobe could serve as a visual indicator of one's rank and status.
The miniature paintings from which these figures are derived were originally featured in the Stammbuch (Friendship Book) of Andreas Heidenreich by Pidenegg, offering a glimpse into the artistic tastes and cultural norms of the time. Through this exquisite illustration by Dr. Jakob Heinrich von Hefner-Alteneck, we are transported back to an era defined by opulence, sophistication, and sartorial splendor.
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