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Metal Print : Nguni or Bantu (Kaffir) warrior hunting antelope with spears 55, forsaking a woman drowning in a river 56, and worshipping an anchor from an East India ship 57
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Nguni or Bantu (Kaffir) warrior hunting antelope with spears 55, forsaking a woman drowning in a river 56, and worshipping an anchor from an East India ship 57
6337777 Nguni or Bantu (Kaffir) warrior hunting antelope with spears 55, forsaking a woman drowning in a river 56, and worshipping an anchor from an East India ship 57 by English School, (19th century); (add.info.: Nguni or Bantu (Kaffir) warrior hunting antelope with spears 55, forsaking a woman drowning in a river 56, and worshipping an anchor from an East India ship 57. Handcoloured copperplate engraving from Rev. Isaac Taylors Scenes in Africa for the Amusement and Instruction of Little Tarry-at-Home Travelers, Harris and Son, London, 1820.); © Florilegius
Media ID 23733642
© Florilegius / Bridgeman Images
1820 Anchor Antelope Bantu Despair Desperation Distress Distressed Drowning East India Company Forsaken Isaac Taylor Kaffir Misery Scenes In Africa Wretch
16"x24" (61x41cm) Metal Print
Experience the rich history and culture of Africa with our stunning Media Storehouse Metal Prints, featuring captivating images from Bridgeman Images at Fine Art Finder. This collection includes three powerful and evocative scenes: a Nguni or Bantu (Kaffir) warrior boldly hunting antelope with spears (55), a heart-wrenching moment of sacrifice as a warrior forsakes a drowning woman (56), and a profound depiction of an ancient African people worshipping an anchor from an East India ship (57). Each print is meticulously crafted onto high-quality metal, enhancing the vibrant colors and intricate details of these exquisite works from the English School. Bring the beauty and history of Africa into your home or office with these unique and inspiring Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The captivating print titled "Nguni or Bantu (Kaffir) warrior hunting antelope with spears 55, forsaking a woman drowning in a river 56, and worshipping an anchor from an East India ship 57" by the English School in the 19th century is a thought-provoking depiction of contrasting emotions and cultural encounters. This handcoloured copperplate engraving from Rev. Isaac Taylor's Scenes in Africa showcases the complexities of history and travel through its vivid imagery. In this scene, we witness a Nguni or Bantu warrior displaying his exceptional hunting skills as he pursues an antelope with spears. However, what strikes us is his decision to forsake a woman who finds herself drowning in the treacherous river nearby. The juxtaposition of these two events raises questions about priorities and societal values. Furthermore, we observe the warrior's act of worship towards an anchor salvaged from an East India ship. This intriguing gesture hints at encounters between African tribes and European explorers during that time period. The image evokes feelings of wretchedness, distress, despair, and desperation for both the forsaken woman and those witnessing her plight. It serves as a reminder that even amidst moments of triumph or pursuit for survival, there are instances where compassion may be overlooked or overshadowed by other influences. This historical artwork not only captures significant aspects of African culture but also invites viewers to reflect on themes such as sacrifice, cultural exchange, and human nature itself.
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