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Metal Print : The Burning of Greytown (engraving)

The Burning of Greytown (engraving)



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The Burning of Greytown (engraving)

1607651 The Burning of Greytown (engraving) by English School, (19th century); Private Collection; (add.info.: The Burning of Greytown. Illustration for The Illustrated London News, 19 August 1854.
English School (19th Century)); Look and Learn / Illustrated Papers Collection

Media ID 23000826

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

British Consulate Central America Nicaragua Post Office Powder American Consulate Greytown


16"x24" (61x41cm) Metal Print

Bring history to life with Media Storehouse's Metal Prints featuring The Burning of Greytown by Bridgeman Images from Fine Art Finder (1607651). This captivating engraving, depicting the infamous event from the 19th century, was originally published in The Illustrated London News on August 19, 1854. Our high-quality Metal Prints transform this classic piece into a stunning, vibrant work of art for your home or office. Each print is meticulously printed on premium metal sheets using a dye-sublimation process, ensuring rich colors and exceptional detail. Elevate your space with a piece of historical art that tells a story, only with Media Storehouse Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > English School

> North America > Nicaragua > Related Images


The Burning of Greytown - A Fiery Tale from the 19th Century

EDITORS COMMENTS
. This print showcases a historic engraving titled "The Burning of Greytown" created by an English School artist in the 19th century. The image transports us back to a tumultuous event that unfolded in Central America, specifically Nicaragua. Intriguingly depicted are various elements that tell the story of this chaotic incident. British and American consulates stand tall amidst billowing smoke, as ships dotting the harbor bear witness to the unfolding drama. The maritime scene is filled with tension and urgency as flames engulf buildings, including the Hanseatic Consulate, Post Office, Mosquito Plag Staff headquarters, and even the Lyons Hotel. This dramatic portrayal captures not only the destruction caused by fire but also highlights historical significance. It was originally published as an illustration for The Illustrated London News on August 19th, 1854 - offering readers a glimpse into this extraordinary event. As we gaze upon this powerful image captured by Bridgeman Images' Fine Art Finder collection, we are reminded of how history can be both awe-inspiring and devastating. This engraving serves as a visual testament to significant moments in time when nations clashed and cities burned - leaving behind indelible marks on our collective memory.

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