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Metal Print : The Burmah Deposition of King Theebaw (1858-1916): General Prendergast Gives Him Ten

The Burmah Deposition of King Theebaw (1858-1916): General Prendergast Gives Him Ten



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The Burmah Deposition of King Theebaw (1858-1916): General Prendergast Gives Him Ten

BAL127833 The Burmah Deposition of King Theebaw (1858-1916): General Prendergast Gives Him Ten Minutes Grace, from The Illustrated London News, 30th January 1886 (engraving) by English School, (19th century); Private Collection; (add.info.: reign ended with occupation of Upper Burma by the British in 1885; ); English, out of copyright

Media ID 22345696

© Bridgeman Images

Deposed Thibaw


16"x20" (51x41cm) Metal Print

Experience the rich history of colonial Burma with our stunning Metal Print of 'The Burmah Deposition of King Theebaw: General Prendergast Gives Him Ten Minutes Grace.' This captivating image, taken from The Illustrated London News in 1886, showcases a pivotal moment in history as British General Prendergast grants the deposed Burmese King Theebaw a brief reprieve. Our high-quality Metal Prints bring this fine art piece to life, adding a unique and vibrant touch to any space. With brilliant colors and exceptional clarity, this historic print is sure to be a conversation starter and a beautiful addition to your home or office decor.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
The print titled "The Burmah Deposition of King Theebaw (1858-1916): General Prendergast Gives Him Ten Minutes Grace" captures a significant moment in history. In this engraving from The Illustrated London News, dated 30th January 1886, we witness the fall of King Theebaw, the last monarch of Burma. Depicted in the image is General Prendergast, who played a pivotal role in dethroning King Theebaw. With great power and authority, he grants the deposed king ten minutes to gather his thoughts before being exiled to India. This act symbolizes not only the end of an era but also highlights British dominance over Burma during that period. The engraving showcases soldiers surrounding both General Prendergast and King Theebaw, emphasizing their contrasting positions - one triumphant and commanding while the other defeated and powerless. It serves as a visual reminder of how colonial powers often exerted control over nations they sought to conquer. This historical event marked a turning point for Burma as it transitioned into British rule after centuries of independence. It signifies the loss of sovereignty and cultural identity for its people under foreign occupation. Through this photo print, we are transported back in time to witness a crucial moment that forever altered Burmese history. It serves as a testament to the complex dynamics between colonizers and colonized peoples during an era defined by imperialism.

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