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Metal Print : The Bench, 1753-54 (oil on canvas backed onto panel)

The Bench, 1753-54 (oil on canvas backed onto panel)



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The Bench, 1753-54 (oil on canvas backed onto panel)

FIT69658 The Bench, 1753-54 (oil on canvas backed onto panel) by Hogarth, William (1697-1764); 14.8x18.2 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: Chief Justice Sir John Willes and Henry Bathurst (later Lord Chancellor) at the Court of Common Pleas); eFitzwilliam Museum; English, out of copyright

Media ID 22787236

© Fitzwilliam Museum / Bridgeman Images

Asleep Chancery Civil Courtroom Criminal Gown Hogarth Judge Judicial Judiciary Lawyer Lawyers Legal Legal System Quill Pen Robe Westminster Justice


16"x20" (51x41cm) Metal Print

Bring the timeless beauty of art into your home with Media Storehouse Metal Prints. Our premium prints feature high-quality images of renowned masterpieces, such as "The Bench" by William Hogarth. This oil on canvas painting, originally created in the 1750s and housed at the Fitzwilliam Museum, is now available in a modern, stylish metal print. The vibrant colors and exceptional detail are sure to captivate, while the sleek metal finish adds a contemporary touch to any decor. Experience the art like never before with Media Storehouse Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > William Hogarth

> Fine Art Finder > Legal,banking & Political Scenes

> Arts > Artists > H > William Hogarth

> Arts > Artists > William Hogarth

> Arts > Pop art > Satire > Satirical artwork

> Asia > Georgia > Related Images

> Europe > United Kingdom > England > Cambridge

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Art > William Hogarth

> Europe > United Kingdom > England > London > Boroughs > City of Westminster

> Europe > United Kingdom > England > Paintings

> Europe > United Kingdom > England > Westminster


The Bench, 1753-54

EDITORS COMMENTS
by William Hogarth is a captivating snapshot of the legal system in 18th century England. This small yet powerful oil painting depicts Chief Justice Sir John Willes and Henry Bathurst, later Lord Chancellor, at the Court of Common Pleas. The scene unfolds within a courtroom adorned with coats of arms and filled with figures dressed in traditional court attire. The attention to detail is remarkable as Hogarth skillfully captures the essence of this judicial setting. From the quill pens poised above parchment to the judges' regal robes and wigs, every element adds depth to the composition. However, what truly sets this artwork apart is its subtle satire. As we observe these esteemed individuals presiding over matters of law, we notice that one figure appears fast asleep on "the bench". This clever touch hints at an underlying critique of the legal system's inefficiencies or perhaps even suggests a lackadaisical approach to justice. Hogarth's satirical genius shines through his ability to convey social commentary through art. Through "The Bench" he invites viewers into a world where power dynamics and human folly intersect within the realm of law and order. Displayed at Fitzwilliam Museum in Cambridge, UK, this print serves as both an artistic masterpiece and historical artifact—a testament to Hogarth's enduring legacy as one of England's most influential painters.

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