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Metal Print : Portrait of an unknown sitter, c. 1532. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884
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Portrait of an unknown sitter, c. 1532. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884
FLO4638658 Portrait of an unknown sitter, c. 1532. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.; (add.info.: Portrait of an unknown sitter, c. 1532. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.); © Florilegius
Media ID 38440328
© © Florilegius / Bridgeman Images
16eme Siecle Broker Courtier Francis Bartolozzi Gentleman Hans Holbein King Henry Viii Noble
16"x20" (51x41cm) Metal Print
Elevate your space with the timeless beauty of art history! Our Metal Prints feature stunning reproductions like 'Portrait of an unknown sitter' (c. 1532), a handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams. Each print is carefully crafted to showcase the intricate details and rich colours of the original artwork. Perfect for adding a touch of sophistication to any room.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Arts
> Realistic drawings
> Portrait drawings
> Fine art
> Europe
> United Kingdom
> Scotland
> Strathclyde
> Hamilton
EDITORS COMMENTS
This stunning handcoloured copperplate engraving captures the essence of a mysterious sitter from the 16th century, brought to life by the skilled hands of Francis Bartolozzi after the original work by Hans Holbein. The intricate details and delicate coloring showcase the artistry and attention to detail that was characteristic of this era.
The unknown sitter exudes an air of nobility and elegance, with a gaze that seems to pierce through time itself. Their attire suggests a person of high status, perhaps a courtier or even royalty. The portrait is imbued with a sense of intrigue, inviting viewers to ponder about the identity and story behind this enigmatic figure.
As we admire this exquisite piece, we are transported back to a time when portraiture was not just about capturing physical likeness, but also conveying personality and character. The meticulous craftsmanship evident in every stroke speaks volumes about the talent of both Holbein and Bartolozzi.
This print serves as a window into history, offering us a glimpse into the world of 16th-century Europe and its opulent courts. It reminds us of the enduring power of art to transcend time and connect us with our past.
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