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Metal Print : Diogene breaking his ecular Diogene of Sinope called the Cynic (413-327 BC)
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Diogene breaking his ecular Diogene of Sinope called the Cynic (413-327 BC)
JLJ4681067 Diogene breaking his ecular Diogene of Sinope called the Cynic (413-327 BC), Greek philosopher, abandons his ecular after seeing a child drink water in his hands at the fountain. Painting by Etienne Jeaurat (1699-1789) 18th century Sun. 1, 62x1, 95 m Paris, by Jeaurat, Etienne (1699-1789); Louvre, Paris, France; (add.info.: Diogene breaking his ecular Diogene of Sinope called the Cynic (413-327 BC), Greek philosopher, abandons his ecular after seeing a child drink water in his hands at the fountain. Painting by Etienne Jeaurat (1699-1789) 18th century Sun. 1, 62x1, 95 m Paris); Photo ePhoto Josse; French, out of copyright
Media ID 23735884
© Josse / Bridgeman Images
327 Bc 413 V Barrel Crockery Diogene Of Sinope Known As The Cynic V Glass Of Water Intellectual Mineral Water Misery Pauper Philosophy Antique Greece Grece
16"x20" (51x41cm) Metal Print
Experience the timeless wisdom of ancient philosophy brought to life with our Media Storehouse Metal Prints. Featuring the iconic image of Diogenes of Sinope, the Cynic, captured in this stunning photograph by Josse from Fine Art Finder (JLJ4681067). Witness Diogenes' famous moment of enlightenment as he abandons his earthenware jar at the fountain, where a child drinks directly from the water source. Our high-quality metal prints are not just art pieces, they are a conversation starter and a reminder of the simplicity and profoundness of ancient philosophy. Add this inspiring image to your home or office decor and let the wisdom of Diogenes inspire you every day.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The captivating print captures a profound moment in history, depicting Diogene of Sinope, the renowned Greek philosopher and cynic. In this artwork by Etienne Jeaurat from the 18th century, we witness Diogene abandoning his worldly possessions after witnessing a child drinking water from his hands at a fountain. Diogene's decision to renounce material belongings is rooted in his philosophy that true happiness lies in simplicity and detachment from societal norms. This powerful image showcases the intellectual depth of Diogene as he breaks free from the chains of materialism. The painting beautifully portrays the contrast between poverty and wealth, with Diogene surrounded by crockery and barrels while observing a child finding joy in something as basic as water. It serves as a reminder that sometimes it is through shedding our attachments to material objects that we can truly appreciate life's simplest pleasures. Etienne Jeaurat skillfully captures the essence of this pivotal moment in time, highlighting both the vulnerability and strength within human nature. The composition draws attention to the child's innocence juxtaposed against Diogene's contemplative expression, evoking deep introspection about our own values and priorities. This thought-provoking artwork invites viewers to reflect on their own relationship with material possessions and consider whether they hold us back or bring us closer to genuine fulfillment.
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