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Metal Print : Detail of Ugolino and His Sons, 1865-67 (Saint-Beat marble)

Detail of Ugolino and His Sons, 1865-67 (Saint-Beat marble)



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Detail of Ugolino and His Sons, 1865-67 (Saint-Beat marble)

3615935 Detail of Ugolino and His Sons, 1865-67 (Saint-Beat marble) by Carpeaux, Jean-Baptiste (1827-75); Metropolitan Museum of Art, New York, USA; (add.info.: The Pisan traitor Count Ugolino della Gherardesca, his sons Gaddo and Uguccione and grandsons Nino (surnamed " the Brigand" ) and Anselmuccio were imprisoned 1288 by the Ghibellines in the Muda tower and left to die of starvation.
Dantes Inferno canto XXXIII )

Media ID 24694736

© Bridgeman Images

Captive Clinging Count Dante Desperation Divine Comedy Hands Hunger Hungry Inferno Naturalism Naturalistic Nobleman Pisa Prisoners Realism Realistic Romanticism Second Empire Starvation Starving Bodies Della Gherardesca Nobles Pisan


16"x20" (51x41cm) Metal Print

Bring the haunting beauty of Jean-Baptiste Carpeaux's Detail of Ugolino and His Sons (3615935) into your home with a Media Storehouse Metal Print. This exquisite work of art, originally housed at the Metropolitan Museum of Art in New York, showcases the intricate details of the Saint-Beat marble sculpture. The high-quality metal print not only preserves the rich textures and vibrant colors of Bridgeman Images' Fine Art Finder photograph, but also adds a modern and stylish touch to any space. Elevate your interior design with this timeless masterpiece, now available as a durable and eye-catching Metal Print from Media Storehouse.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Realism

> Arts > Art Movements > Romanticism

> Arts > Artists > C > Jean-Baptiste Carpeaux

> Arts > Sculpture

> Arts > Street art graffiti > Realism > Realism art gallery

> Europe > Italy > Posters

> Europe > Italy > Sculptures

> Europe > Italy > Tuscany > Pisa

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Stone carvings

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This print showcases the intricate details of Jean-Baptiste Carpeaux's sculpture, "Detail of Ugolino and His Sons". Created between 1865-67, this masterpiece is carved from Saint-Beat marble and is housed in the Metropolitan Museum of Art in New York. The sculpture depicts Count Ugolino della Gherardesca, a Pisan traitor who was imprisoned with his sons and grandsons by the Ghibellines in 1288. Left to starve to death in the Muda tower, their tragic story was immortalized by Dante Alighieri in his epic poem "Divine Comedy" specifically Canto XXXIII of Inferno. Carpeaux's attention to detail is evident as he captures the desperation and anguish on each figure's face. The sculptor skillfully portrays the emaciated bodies clinging together for comfort amidst their hunger and suffering. The nakedness of these captives adds an element of vulnerability that enhances the emotional impact of the artwork. With its realistic portrayal and naturalistic style, Carpeaux's sculpture exemplifies both French romanticism and Italian realism. The use of marble further enhances its timeless beauty, creating a stunning visual representation that evokes empathy from viewers. Through this photo print, we are reminded not only of Carpeaux's artistic brilliance but also of humanity's capacity for cruelty. It serves as a poignant reminder that even within great works of art lies stories steeped in tragedy and despair.

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