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Metal Print : "There was an Old Person of Rhodes, who strongly objected to toads", from A Book of Nonsense, published by Frederick Warne and Co. London, c. 1875 (colour litho)

'There was an Old Person of Rhodes, who strongly objected to toads', from A Book of Nonsense, published by Frederick Warne and Co. London, c. 1875 (colour litho)



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"There was an Old Person of Rhodes, who strongly objected to toads", from A Book of Nonsense, published by Frederick Warne and Co. London, c. 1875 (colour litho)

LLM386635 " There was an Old Person of Rhodes, who strongly objected to toads", from A Book of Nonsense, published by Frederick Warne and Co. London, c.1875 (colour litho) by Lear, Edward (1812-88); Private Collection; (add.info.: Written 1846; ); © Look and Learn

Media ID 23254074

© Look and Learn / Bridgeman Images

Absurd Afraid Anguish Catching Childrens Cousins Coward Cowardly Cowering Frogs Humourous Limerick Limericks Rhyme Rhymes Fear Irrational Phobia Verse


16"x24" (61x41cm) Metal Print

Bring a whimsical touch to your home decor with our Media Storehouse Metal Prints featuring the charming illustration 'There was an Old Person of Rhodes, who strongly objected to toads' from A Book of Nonsense, published by Frederick Warne and Co. London, c. 1875. This vibrant and colorful lithograph by Bridgeman Images from Fine Art Finder is now transformed into a modern and stylish metal print, adding a unique character to any room. The high-quality metal print is waterproof, scratch-resistant, and UV protected, ensuring your art piece lasts for years to come. Embrace the playful and nostalgic essence of this classic children's poem and make it a conversation starter in your space.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Edward Lear

> Fine Art Finder > Cartoons, Caricatures & Humour

> Animals > Mammals > Muridae > Toad Mouse

> Arts > Artists > L > Edward Lear

> Arts > Literature > Illustration

> Arts > Literature

> Europe > Republic of Ireland > Limerick

> Humour > Cartoon

> Humour > Children

> Humour > Postcard

> Humour > Related Images


EDITORS COMMENTS
This print captures the essence of Edward Lear's whimsical limerick, "There was an Old Person of Rhodes, who strongly objected to toads". Published in A Book of Nonsense by Frederick Warne and Co. London around 1875, this color lithograph showcases Lear's satirical drawing accompanied by his witty verse. The image portrays a humorous scene where an elderly person from Rhodes is depicted as being irrationally afraid of toads. The exaggerated facial expressions and body language convey anguish and fear while adding a touch of absurdity to the illustration. Lear's clever use of text complements the artwork perfectly, enhancing its comical nature. This Victorian-era piece not only entertains but also highlights the power of literature and art in evoking emotions. It invites viewers into a world filled with playful rhymes and imaginative illustrations that appeal to both children and adults alike. Through this delightful composition, Lear reminds us that even our most irrational fears can be turned into sources of amusement. This timeless work continues to captivate audiences with its charming depiction of human quirks and idiosyncrasies. As we gaze upon this enchanting print, we are reminded once again that laughter truly knows no bounds – transcending time, culture, and generations.

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