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Metal Print : Ruins of St Paul Covent Garden, 1795 (engraving)

Ruins of St Paul Covent Garden, 1795 (engraving)



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Ruins of St Paul Covent Garden, 1795 (engraving)

XJF3058177 Ruins of St Paul Covent Garden, 1795 (engraving) by Dayes, Edward (1763-1804) (after); Private Collection; (add.info.: Built by Inigo Jones in 1633, interior destroyed 1795 after workmen left lead boiling over a fire, rebuilt and consecrated 1798.
Illustration to the Monthly Mirror. 1795); English, out of copyright

Media ID 12840458

© www.bridgemanimages.com

Burnt Cobbled Cobbles Covent Garden Damaged Inigo Jones Piazza Pillars Portico Ruined Sightseers Square St Pauls Westminster


16"x24" (61x41cm) Metal Print

Breathtaking history comes to life with our Media Storehouse Metal Prints featuring the enchanting Ruins of St Paul Covent Garden, 1795 (XJF3058177). This exquisite 18th-century engraving by Edward Dayes, after Inigo Jones' original design, showcases the captivating ruins as they stood in Covent Garden in 1795. Our high-quality Metal Prints bring the intricate details and rich colors of this Fine Art Finder image to life, making it a stunning addition to any home or office. Relive the grandeur of the past with this beautiful piece of history, expertly reproduced on a durable and contemporary metal surface.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Edward (after) Dayes

> Fine Art Finder > London 19th & Later 20th C

> Europe > United Kingdom > England > London > Related Images


EDITORS COMMENTS
This print showcases the hauntingly beautiful "Ruins of St Paul Covent Garden" in 1795. The engraving, created by Edward Dayes, takes us back to a time when this iconic church stood as a testament to architectural brilliance. Built by Inigo Jones in 1633, it had been an awe-inspiring structure until tragedy struck. In 1795, disaster befell the church when workmen accidentally left lead boiling over a fire within its walls. The ensuing inferno ravaged the interior and reduced it to ruins. However, resilience prevailed as the church was rebuilt and consecrated just three years later in 1798. The image captures the aftermath of destruction with striking detail. The damaged columns and ruined portico stand as solemn reminders of what once was. Despite their dilapidated state, these remnants still exude grandeur and evoke a sense of history that is impossible to ignore. As we gaze upon this scene from centuries past, we are transported back to Georgian London. Cobbled streets surround the square where St Paul Covent Garden proudly stood amidst bustling crowds and curious sightseers who were drawn to witness its tragic beauty firsthand. This engraving serves not only as a visual representation but also as an important historical document illustrating both loss and resilience. It reminds us that even in times of devastation, there is always hope for rebirth and renewal.

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