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Metal Print : No. 2289 Chiesa della Santa Casa, Loreto, 1806 (w / c & pencil on paper)

No. 2289 Chiesa della Santa Casa, Loreto, 1806 (w  /  c & pencil on paper)



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No. 2289 Chiesa della Santa Casa, Loreto, 1806 (w / c & pencil on paper)

FIT66020 No.2289 Chiesa della Santa Casa, Loreto, 1806 (w/c & pencil on paper) by Smith, John Warwick (1749-1831); Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Media ID 22788026

© Fitzwilliam Museum / Bridgeman Images


16"x24" (61x41cm) Metal Print

Bring the timeless beauty of art into your home with Media Storehouse Metal Prints. This exquisite piece, "Chiesa della Santa Casa, Loreto, 1806 (w/c & pencil on paper)" by John Warwick Smith, showcases the intricate details and vibrant colors of the original work from the Fitzwilliam Museum. Our premium metal prints are not just a reproduction, but a true representation of the artwork, with a sleek, modern twist. The high-definition image is infused into a sheet of aluminum, resulting in a durable and waterproof piece that is resistant to fading and discoloration. Experience the depth and texture of the artwork like never before with Media Storehouse Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Fine Art Finder > Artists > David Cox

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> Arts > Artists > S > John Warwick Smith

> Europe > Italy > Marche > Loreto


EDITORS COMMENTS
This print showcases the exquisite artwork titled "No. 2289 Chiesa della Santa Casa, Loreto, 1806" by John Warwick Smith. The painting, created with watercolor and pencil on paper, is housed at the prestigious Fitzwilliam Museum in the University of Cambridge, UK. Smith's attention to detail is evident in this stunning depiction of the Chiesa della Santa Casa in Loreto. The artist masterfully captures the architectural beauty and grandeur of this historic church. Every brushstroke and pencil mark brings to life the intricate details of its façade, from the ornate columns to the delicate carvings adorning its entrance. The use of watercolor adds a softness and depth to Smith's work, enhancing his ability to convey light and shadow within this composition. The subtle hues create a serene atmosphere that invites viewers into this sacred space. Bridgeman Images has skillfully reproduced this masterpiece as a high-quality print measuring 30 x 44 cm. This allows art enthusiasts worldwide to appreciate Smith's remarkable talent up close. As we gaze upon this print, we are transported back in time to experience both the artistic brilliance of John Warwick Smith and the timeless beauty of Chiesa della Santa Casa itself. It serves as a reminder that art has no boundaries or limitations – it transcends time and place for all who have an appreciation for its splendor.

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