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Metal Print : L Assiette au Beurre, number 64, Satirique en couleurs, 1902_6_28: England Great Britain - Salisbury Lord (Robert Arthur Talbot Gascoyne-Cecil, 1830-1903) (lithograph)

L Assiette au Beurre, number 64, Satirique en couleurs, 1902_6_28: England Great Britain - Salisbury Lord (Robert Arthur Talbot Gascoyne-Cecil, 1830-1903) (lithograph)



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L Assiette au Beurre, number 64, Satirique en couleurs, 1902_6_28: England Great Britain - Salisbury Lord (Robert Arthur Talbot Gascoyne-Cecil, 1830-1903) (lithograph)

ICA4877788 L Assiette au Beurre, number 64, Satirique en couleurs, 1902_6_28: England Great Britain - Salisbury Lord (Robert Arthur Talbot Gascoyne-Cecil, 1830-1903) (lithograph) by Camara, Leal de (1877-1948); (add.info.: L Plate au beurre, number 64, Satirique en couleurs, 1902_6_28: England Great Britain - Salisbury Lord (Robert Arthur Talbot Gascoyne-Cecil, 1830-1903) - Illustration by Leal de Camara (1877-1948)); Photo © Caricadoc

Media ID 25139766

© Caricadoc / Bridgeman Images

Caricadoc


16"x20" (51x41cm) Metal Print

Bring a touch of timeless elegance to your home with our Media Storehouse Metal Prints featuring the iconic "L Assiette au Beurre, number 64, Satirique en couleurs, 1902_6_28: England Great Britain - Salisbury Lord (Robert Arthur Talbot Gascoyne-Cecil, 1830-1903)" lithograph by Bridgeman Images from Fine Art Finder. This exquisite piece, originally created in 1902 by Camara, showcases the satirical image of Lord Salisbury, former British Prime Minister, in vivid colors. Our high-quality Metal Prints are known for their durability and vibrant colors, ensuring your art piece remains a stunning conversation starter for years to come. Add this captivating piece to your collection and elevate the ambiance of any room in your home or office.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Europe > United Kingdom > England > London > Politics > Robert Gascoyne-Cecil

> Europe > United Kingdom > England > Politics

> Europe > United Kingdom > England > Salisbury

> Popular Themes > Politics


EDITORS COMMENTS
This lithograph from 1902 titled "L Assiette au Beurre, number 64, Satirique en couleurs" offers a satirical portrayal of Lord Salisbury, also known as Robert Arthur Talbot Gascoyne-Cecil. The print was created by Leal de Camara and is part of the iconic French magazine L'Assiette au Beurre. Lord Salisbury, a prominent English statesman who served as Prime Minister during the late 19th century until his death in 1903, is depicted in this caricature with exaggerated features and comical elements. The artist's use of vibrant colors adds to the visual impact of the piece. The engraving showcases the intersection between politics and art during that era. It provides insight into public opinion towards political figures like Lord Salisbury and highlights how satire played a role in critiquing those in power. This artwork serves as an important historical document capturing both English and French perspectives on British government at the turn of the 20th century. It reflects not only on Lord Salisbury's leadership but also on broader themes such as international relations between England and France. Overall, this lithograph offers viewers a glimpse into the world of political caricature through its clever composition and artistic execution. It reminds us that even great statesmen are subject to scrutiny and humor within their respective societies.

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