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Metal Print : Caricature ridiculing Chapter VI of the Rights and Duties of Spouses in the French Code

Caricature ridiculing Chapter VI of the Rights and Duties of Spouses in the French Code



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Caricature ridiculing Chapter VI of the Rights and Duties of Spouses in the French Code

CHT293273 Caricature ridiculing Chapter VI of the Rights and Duties of Spouses in the French Code Civil, promulgated by Napoleon in 1804, c.1840-50 (colour litho) by Daumier, Honore (1808-79); Bibliotheque Nationale, Paris, France; (add.info.: The Wife Must follow the Husband wherever he Wishes to Live ; ); eArchives Charmet; French, out of copyright

Media ID 22658052

© Archives Charmet / Bridgeman Images

Comedy Comical Criticism Critique Equal Rights Legal Mariage Obedience Obedient Relationship Ridicule Sarcasm Sarcastic Spouse Submissive Womens Rights Deferential


16"x20" (51x41cm) Metal Print

Bring a touch of historical wit to your home or office with Media Storehouse's Metal Prints featuring the iconic caricature by Daumier, "Caricature ridiculing Chapter VI of the Rights and Duties of Spouses in the French Code Civil." This satirical lithograph, created around 1840-50, offers a humorous perspective on the social and political climate during Napoleon's reign. Each Metal Print is meticulously crafted using high-quality materials and advanced printing techniques to ensure vibrant colors and exceptional detail. The sleek, modern design of the metal print complements the classic artistry of this Bridgeman Images piece from Fine Art Finder, making it a unique and captivating addition to any space. Experience the perfect blend of history and humor with Media Storehouse's Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > Claude Monet

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> Humour > Related Images


EDITORS COMMENTS
This colorful lithograph by Honore Daumier, titled "Caricature ridiculing Chapter VI of the Rights and Duties of Spouses in the French Code Civil" offers a satirical take on gender dynamics and marital expectations during the 19th century. Created around 1840-50, this artwork humorously portrays a scene from Chapter VI of the French Code Civil, promulgated by Napoleon in 1804. The image depicts a husband walking ahead confidently while his wife follows obediently behind him. The caption reads, "The Wife Must follow the Husband wherever he Wishes to Live". Through clever visual commentary, Daumier highlights societal norms that required women to be submissive and deferential to their husbands. With its vibrant colors and comical depiction, this caricature challenges traditional notions of marriage and equality for women. It serves as a critique of legal frameworks that perpetuated male dominance within relationships. Daumier's work is both sarcastic and thought-provoking as it questions the absurdity of such power imbalances between spouses. By placing the wife one step behind her husband at a seaside location, he adds an extra layer of irony to emphasize how these societal expectations limited women's freedom and agency. Overall, this print captures not only historical perspectives on marriage but also raises important discussions about gender roles and equal rights that are still relevant today.

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