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Metal Print : The Assumption of the Virgin (pen & brown ink with brown and grey washes)

The Assumption of the Virgin (pen & brown ink with brown and grey washes)



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The Assumption of the Virgin (pen & brown ink with brown and grey washes)

CTS404682 The Assumption of the Virgin (pen & brown ink with brown and grey washes) by Barocci or Baroccio, Federico Fiori (c.1535-1612); 52.2x36.7 cm; eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; Italian, out of copyright

Media ID 23488266

© Reproduced by permission of Chatsworth Settlement Trustees / Bridgeman Images

Ascending Bowing Drapery Gathering Heaven Mother Of God Putti Rising Supplication Cherubim Cherubs


16"x20" (51x41cm) Metal Print

Bring the timeless beauty of art into your home with Media Storehouse Metal Prints. This exquisite piece features "The Assumption of the Virgin" by Federico Barocci or Baroccio, a masterpiece from the Devonshire Collections. Captured in intricate pen and brown ink with brown and grey washes, this artwork showcases the artist's exceptional skill and devotion to his craft. Our premium metal prints offer vibrant colors, stunning clarity, and a sleek, modern design that adds an elegant touch to any space. Experience the art of the past, reimagined for today.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > G > Grouper

> Arts > Art Movements > Renaissance Art

> Arts > Artists > B > Federico Fiori Barocci

> Historic > Renaissance art > Italian Renaissance art

> Historic > Renaissance art

> Italian renaissance art

> Renaissance art


EDITORS COMMENTS
This print showcases "The Assumption of the Virgin" a stunning artwork by Barocci or Baroccio, Federico Fiori. The piece, created in the 16th or 17th century, depicts a powerful scene of the Virgin Mary ascending into heaven. Rendered with pen and brown ink, complemented by brown and grey washes, this masterpiece measures 52.2x36.7 cm. In this study drawing, we witness a group of figures gathered around as Mary rises towards the heavens. Her drapery gracefully flows around her as she is surrounded by cherubs and putti - angelic beings that symbolize purity and innocence. The artist's attention to detail is evident in every stroke; from the delicate expressions on each face to the intricate folds of fabric. As Mary ascends, she bows in supplication while being watched over by male figures who pay homage to her divine status as Mother of God. This Renaissance artwork captures both spiritual devotion and artistic brilliance. "The Assumption of the Virgin" transports us back to a time when religious themes dominated art during the 16th and 17th centuries. It serves as a testament to Barocci's mastery in capturing emotion through his skillful use of light and shadow. Thanks to Fine Art Finder's collaboration with Bridgeman Images, we can now appreciate this timeless piece from "The Devonshire Collections" at Chatsworth House in all its glory.

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