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Metal Print : The Superintendant Jacques de Semblancay (c. 1445-1527) sentenced to death
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The Superintendant Jacques de Semblancay (c. 1445-1527) sentenced to death
XIR164996 The Superintendant Jacques de Semblancay (c.1445-1527) sentenced to death, going up to the Montfaucon Gibbet, 1909 (w/c on paper) (b/w photo) by Robida, Albert (1848-1926); Musee Municipal Antoine Vivenel, Compiegne, France; (add.info.: original w/c for Francois I by G. Tondouze published in 1909; Jacques de Beaune, baron de Semblancay; ); French, out of copyright
Media ID 23366228
© Bridgeman Images
Condemned Gallows Hanging Ile De France Scaffold Punishment
16"x20" (51x41cm) Metal Print
Bring a piece of historical artistry into your home with Media Storehouse's Metal Prints. This captivating image, "The Superintendant Jacques de Semblancay (c.1445-1527) sentenced to death," by Robida, showcases the intense moment as Jacques de Semblancay ascends the Montfaucon Gibbet. Our high-quality Metal Prints are known for their vibrant colors, rich details, and long-lasting durability. Each print is meticulously printed on a sheet of aluminum, resulting in a sleek, modern look that adds depth and texture to your space. Relive the past with this striking work of art from Fine Art Finder's Bridgeman Images collection.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Superintendant Jacques de Semblancay (c. 1445-1527) Sentenced to Death - A Glimpse into Renaissance Justice
EDITORS COMMENTS
. This photo print, captured by the talented artist Albert Robida in 1909, takes us back in time to witness a somber moment in history. The image portrays the infamous French figure, Jacques de Semblancay, being led towards his ultimate fate at the Montfaucon Gibbet. Jacques de Semblancay was not just an ordinary man; he held a significant position as the French finance minister during the reign of King François I. However, his power and influence were overshadowed by corruption allegations that ultimately sealed his tragic destiny. As we gaze upon this poignant scene, we are transported to 16th-century France – a period characterized by political intrigue and ruthless punishment. De Semblancay's journey up to the gallows symbolizes both the end of an era for him personally and serves as a stark reminder of justice's unforgiving nature during this tumultuous time. Robida's skillful use of watercolor on paper brings depth and emotion to this historical snapshot. The shades of gray evoke a sense of melancholy while emphasizing the gravity of De Semblancay's impending doom. Through this remarkable artwork from Bridgeman Images' collection, we are reminded that even those who wield great power can fall victim to their own actions. It invites contemplation on themes such
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