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Metal Print : An ancient house, Ipswich, the residence of William Sparrow (colour litho)
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An ancient house, Ipswich, the residence of William Sparrow (colour litho)
6016792 An ancient house, Ipswich, the residence of William Sparrow (colour litho) by Richardson, Charles James (1806-71); Private Collection; (add.info.: An ancient house, Ipswich, the residence of William Sparrow. Illustration for Studies from Old English Mansions, Third Series, by C J Richardson (Thomas McLean, 1845).); © Look and Learn
Media ID 23278036
© Look and Learn / Bridgeman Images
Homes Ipswich Old English Mansions Residence Stately Architects Dwelling Places Landsitz Manor House Manor Houses Manors Mansions Stately Homes
16"x20" (51x41cm) Metal Print
Step back in time with our exquisite Metal Print of 'An ancient house, Ipswich, the residence of William Sparrow' by Charles James Richardson. This stunning color lithograph, sourced from Bridgeman Images through Fine Art Finder, captures the essence of history with its intricate details and rich colors. The ancient house in Ipswich, once home to William Sparrow, stands proudly and invites you to explore its timeless charm. Our high-quality Metal Prints are known for their vibrant colors, long-lasting durability, and sleek modern design. Add this beautiful piece of history to your home decor and let the story of the past come alive.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the ancient house of Ipswich, which was once the residence of William Sparrow. The colour lithograph, created by Charles James Richardson in the 19th century, beautifully captures the architectural grandeur and historical significance of this remarkable building. The image is a part of Studies from Old English Mansions, Third Series, a collection that celebrates the beauty and charm of old English homes. This particular house stands as a testament to the rich history and cultural heritage that Ipswich holds within its walls. With its intricate details and imposing structure, this manor house exudes an air of elegance and sophistication. Its timeless design reflects the craftsmanship and skill of architects from centuries past. As we gaze upon this photograph, we are transported back in time to an era where such stately homes were not only symbols of wealth but also served as important centers for social gatherings and community affairs. Today, this ancient house serves as a reminder of our shared history and offers us a glimpse into a world long gone. It stands as a proud testament to architectural excellence and continues to inspire awe among those who appreciate its beauty. Let us cherish these remnants from our past; they are not merely buildings but windows into our collective memory.
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