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Metal Print : A wife taking a stick to her drunken husband. 1831 (engraving)
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A wife taking a stick to her drunken husband. 1831 (engraving)
7234797 A wife taking a stick to her drunken husband. 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info.: A rustic man arriving home drunk. His wife greets him with a candle and a stick. Home! Sweet Home! Handcoloured wood engraving after an illustration by Thomas Rowlandson from W. H. Harrisons The Humourist, a Companion for the Christmas Fireside, Rudolph Ackermann, 19 Strand, London, 1831.); © Florilegius
Media ID 25908604
© Florilegius / Bridgeman Images
Abuse Acouple Alcoholic Alcoholism Candle Common Life Conjugal Violence Couples Customary Customs Daily Routine Day To Day Domestic Violence Drunkard Drunkedness Drunkenness Ethnicity Every Day Life Everyday Life Everyday Live Fact Of Society Generalife Getting Married Holy Sacrament Humdrum Life Marriage Register Remarriage Sacrement Spouse Violated Violent Wedded Wedding Ceremony Daily Life Scene Ethnography Inhabitant Several People Several Persons
16"x24" (61x41cm) Metal Print
Add a bold statement to your home decor with the Media Storehouse Metal Print featuring the iconic engraving, "A Wife Taking a Stick to Her Drunken Husband" by Thomas Rowlandson. This classic 1831 image, obtained from Bridgeman Images through Fine Art Finder, captures a moment of raw emotion and determination. The high-quality metal print brings out the intricate details of the engraving, making it a striking conversation piece. Revive history with this unique and thought-provoking addition to your space.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This engraving by Thomas Rowlandson, titled "A wife taking a stick to her drunken husband" offers a humorous yet thought-provoking glimpse into domestic life in 19th-century England. The scene depicts a rustic man stumbling home in an intoxicated state, only to be met by his disgruntled wife wielding both a candle and a stick. The artist's satirical touch is evident as he captures the comical absurdity of the situation. The title itself hints at the underlying theme of alcoholism and its consequences within society. Rowlandson's illustration serves as a scathing satire, shedding light on the prevalent issue of drunkenness during this era. Handcolored with meticulous attention to detail, this wood engraving was originally featured in W. H. Harrison's publication, "The Humourist: A Companion for the Christmas Fireside". It showcases Rowlandson's exceptional talent for capturing human emotions and societal customs through his art. Beyond its comedic value, however, this print also raises awareness about domestic violence and abuse that may have been prevalent during that time period. By juxtaposing humor with social critique, Rowlandson invites viewers to reflect upon these serious issues while appreciating his artistic skill. As we gaze upon this intriguing piece from our private collection, it serves as a reminder of how art can simultaneously entertain and provoke meaningful conversations about important aspects of our shared history.
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