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Metal Print : Ingram Street Tearooms, Mirror, 1900-1901 (mirrored glass, stained wood)

Ingram Street Tearooms, Mirror, 1900-1901 (mirrored glass, stained wood)



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Ingram Street Tearooms, Mirror, 1900-1901 (mirrored glass, stained wood)

7443842 Ingram Street Tearooms, Mirror, 1900-1901 (mirrored glass, stained wood) by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums, UK; (add.info.: E.1982.61
INGRAM STREET TEAROOMS; FURNITURE
mirror
Mackintosh, Charles Rennie
Scotland, Glasgow, Ingram Street Tea Rooms, Women's toilets (place of use)
1900-1901
mirrored glass, stained wood
overall: 1958 mm x 620 mm x 110 mm 30000 g
Full length mirror in stained wood frame, with abstract design punched out at top, designed by Charles Rennie Mackintosh for Miss Cranston's Ingram Street Tearooms, 1900-1901); © CSG CIC Glasgow Museums Collection

Media ID 33087620

© © CSG CIC Glasgow Museums Collection / Bridgeman Images

Mackintosh Charles Rennie 1868 1928


16"x20" (51x41cm) Metal Print

Bring the timeless charm of Charles Rennie Mackintosh's Ingram Street Tearooms to your home with our Media Storehouse Metal Prints. This exquisite artwork, featuring the iconic mirrored glass and stained wood design from 1900-1901, is captured in stunning detail. The high-quality metal print produces vibrant colors and sharp lines, ensuring your print remains a captivating conversation starter. Experience the elegance of Glasgow's rich history in your very own space.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This photograph showcases a stunning piece of art nouveau furniture - the Ingram Street Tearooms Mirror. Designed by the renowned architect Charles Rennie Mackintosh in 1900-1901, this mirror is an exquisite example of his distinctive style. The mirror features a stained wood frame with a full-length design that measures 1958 mm x 620 mm x 110 mm. At the top, an abstract pattern has been punched out, adding a touch of elegance to its overall appearance. The mirrored glass adds depth and reflection to any space it graces. Originally created for Miss Cranston's Ingram Street Tearooms in Glasgow, Scotland, this mirror was likely used in the women's toilets. Its presence would have added both functionality and beauty to the tearooms' interior. Mackintosh's attention to detail is evident in every aspect of this piece. From the carefully crafted frame to the intricate design elements, he seamlessly blends form and function into one cohesive work of art. Today, this mirror can be found at Glasgow Museums in the United Kingdom as part of their extensive collection. It serves as a testament to Mackintosh's enduring legacy and his contribution to the art movement of the early 20th century. Di Dosmo skillfully captures not only the physical attributes but also the essence and allure of this remarkable creation through her photography. Her image invites viewers to appreciate its beauty while offering glimpses into history and artistic mastery.

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