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Metal Print : Deportation of Queen Nathalie from Serbia, (1859-1941) (Queen Natalija of Serbia) (Natalie Keshko) (Nathalie (Natalija) Kechko) from Belgrade in 1891 - engraving by Meaulle
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Deportation of Queen Nathalie from Serbia, (1859-1941) (Queen Natalija of Serbia) (Natalie Keshko) (Nathalie (Natalija) Kechko) from Belgrade in 1891 - engraving by Meaulle
XEE4147795 Deportation of Queen Nathalie from Serbia, (1859-1941) (Queen Natalija of Serbia) (Natalie Keshko) (Nathalie (Natalija) Kechko) from Belgrade in 1891 - engraving by Meaulle by Meaulle, Fortune Louis (1844-1901); Private Collection; (add.info.: Deportation of Queen Nathalie from Serbia, (1859-1941) (Queen Natalija of Serbia) (Natalie Keshko) (Nathalie (Natalija) Kechko) from Belgrade in 1891 - engraving by Meaulle); Stefano Bianchetti
Media ID 25911478
© Stefano Bianchetti / Bridgeman Images
Expulsion Louis Fortune Meaulle Meaulle Fortune 1844 1901 Meaulle Fortune Louis Serbia Serbian Serbs
16"x20" (51x41cm) Metal Print
Add a touch of historical elegance to your home or office with our Metal Print of the Deportation of Queen Nathalie from Serbia, an exquisite engraving by Meaulle featuring Queen Natalija of Serbia (1859-1941), also known as Natalie Keshko or Nathalie (Natalija) Kechko. This captivating image, taken from Belgrade in 1891, showcases the Queen in regal attire during her deportation. Our high-quality Metal Prints are known for their vibrant colors, rich detail, and long-lasting durability. Bring this piece of history into your space and enjoy its timeless beauty for years to come.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures the historic moment of the deportation of Queen Nathalie from Serbia in 1891. The engraving, created by Meaulle, depicts a scene filled with expulsion and violence as Queen Nathalie is forced to leave Belgrade. The image showcases a street scene bustling with a crowd, highlighting the intense emotions surrounding this event in Serbian history. The queen's regal presence amidst the chaos emphasizes her status and power within the monarchy. Meaulle's artistic talent shines through in this engraving, adding depth and intensity to the composition. Every detail is meticulously captured, showcasing his skill as an artist. This artwork not only serves as a historical record but also evokes strong emotions from viewers who can sense the tension and turmoil present during that time period. It provides us with insight into European history during the late nineteenth century. As we observe this powerful image, we are reminded of both the strength of Queen Nathalie and her unfortunate fate at being expelled from Serbia. This engraving stands as a testament to her resilience while shedding light on an important chapter in Serbian history.
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